#Exhibit of the Month

We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.

These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.

The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.

The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."

The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.

Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.

Virtual Tour

Exhibitions

"Icons painted on ammo boxes"

22 February – 10 March 2024

The exhibition "Icons painted on ammo boxes" is organized by the Polish Institute in Bucharest and the National Museum of History of Moldova, in partnership with the Embassy of the Republic of Poland in Chisinau and with the support of the Embassy of Ukraine in the Republic of Moldova.

The collection presented in Chisinau contains 25 unique icons by Ukrainian artists Olexander Klymenko and Sonia Atlantova, including newer works painted on ammunition boxes used during Russia's current invasion of Ukraine.

The project combines two aspects, at first sight impossible to approach unitarily: the icon and the ammunition box, death and life. "Through our works we want to transform death, the symbol of which is the ammunition box, into life, traditionally symbolized in the Ukrainian icon culture," says Klymenko. In 2014, in response to Russia's first military aggression against Ukraine, Ukrainian artists began painting icons on ammunition boxes. This very original and expressive approach had a very strong impact on the public from the very beginning.

The main goal of the Ukrainian artists is to sell the icons, the amount collected being donated for charitable purposes to the people affected by the war, but especially to come to the aid of the First Voluntary Mobile Hospital in Ukraine, where more than 60,000 people have already been treated since 2014 of patients. According to Klymenko's statements, 97% of the hospital's operating costs were covered from the sale of icons. From the funds obtained from the sale of the works, the artists also support the medical society of the 114th Territorial Defense Brigade and the "Wings of Victory" project, which helps wounded soldiers.

The icons presented in the Chisinau exhibition have traveled around the world, so far being exhibited in 19 countries and in over 150 places, including the European Parliament.

The opening will take place on Thursday, February 22, 2024, at 14.00, in room 1 of the National History Museum of Moldova, which will take place with the participation of the authors of the works. The event is dedicated to the two-year anniversary of the outbreak of Russian aggression against Ukraine.

The exhibition can be visited until March 10, 2024, at the National Museum of History of Moldova, Chisinau, 31 August 1989 street, 121A.