#Exhibit of the Month

To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy.
One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany.

The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976."
The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."

Virtual Tour

Exhibitions

„Millennia of civilizations at Orheiul Vechi. 70 years of archaeological research”

21 September 2017 - 31 December 2018

The National Museum of History of Moldova opened on 21 September the exhibition "Millennia of civilization at Orheiul Vechi. 70 years of archaeological research". The event is organized as part of the European Heritage Days.

In 2017 are celebrated 70 years since the beginning of archaeological research in the micro zone of Orheiul Vechi. Center of thousands of years of history, heart and soul of Moldova, the Orheiul Vechi Cultural and Natural Reservation is a unique place where the elements of history and archaeology, ethnography and traditional rural architecture, cult places of worship and unforgettable images of the landscape have merged. The beginning of research at this site conducted by researcher Gh.D. Smirnov date back to postwar years of 1947-1948. Later, at this site worked well-known Moldovan archaeologists I. Niculiță, P. Bârnea, Gh. Postică, T. Reaboi, E. Abâzova, T. Arnăut, O. Munteanu, A. Zanoci etc. For many archaeologists in the Republic of Moldova, the archaeological campaigns in Orheiul Vechi became a visit card for future professional activity.

The originality of the exhibition dedicated to Orheiul Vechi consists in the fact that most of the presented pieces are exhibited for the first time; however they have been long known and studied in the science community.

The exhibition brings together a series of objects belonging to different civilizations that have existed here, being structured in two compartments: the ancient period in Orheiul Vechi and the medieval period.

The first compartment includes archaeological remains discovered on the territory of the Butuceni Getae fortress. They represent various objects from the material culture of the native population, such as clay pots, tools, weapons and cult objects. The commercial relations they had with the Greek merchants are expressed through the many fragments of Greek vessels, various containers for keeping products and everyday vessels. The impressive amount of Greek amphorae of the total ceramic fragments found (about 20%) demonstrates the importance and significance of this Getae fortress for the barbarian world in the given region along with the discovery of the first and only sanctuary - a Getae calendar which confirms the importance of this habitat as a political, social and economic center of the Getae communities in the region.

The second compartment is dedicated to the medieval civilization from Orheiul Vechi. Archaeological research confirmed the urban character of the settlement during the Golden Horde (14th century) and its name - Şehr al-cedid // New Town. The collection of materials includes luxury ceramic pots, a Chinese porcelain bowl, Kashin-type import pots specific for the Golden Horde, aqueduct tubes, bone and metal weapons and tools. The two large warehouses found at Orheiul Vechi are exhibited: one consisting of agricultural pieces and the other of harness parts and household objects. Monetary discovery is represented by local issues associated with coins coming from different states, but also moneyboxes, weights, plates for scales.

The Moldavian period (15th - 16th centuries) is represented by ceramic vessels, agricultural tools and household appliances made of metal, stone, bone and ceramics, as well as weapons, tiles, crosses and candlesticks. A special place in the exhibition belongs to two bronze cannons from the 15th century which are unique pieces for the entire Romanian space.

In the exhibition are displayed also a series of pictures that reflect the process of archaeological research, as well as photographs of the most beautiful artifacts and landscapes of Orheiul Orhei.