#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

Virtual Tour

Exhibitions

The compartment of Ancient and Early Medieval History

(Permanent Exhibition “History and Civilization”)

Roman period is represented by various items, including a series of Roman bronze and clay vessels found in a Sarmatian tomb near the village of Olanesti, among which there is a rarity - a clay pot in the shape of a ram.

The compartment of Ancient and Early Medieval History

Multiple gray wares, adornments made of semiprecious stones, bone, and shells, clasps of precious metals belong to the 1st - 3rd centuries AD.

As a result of invasions occurred during the Migration Period and disappearance of the Santana de Mures - Chernyakhov culture (the 3rd - 4th centuries AD) the present-day territory of the Republic of Moldova was terribly devastated. This led to degradation of all spheres of economic and social life of the natives. In the 6th century Slavic tribes moving to the Balkans penetrated the territories inhabited by tenuous Romanic population. Under their influence there occurred changes in the material culture of the Romance.

The settlements are small. Population dwelled in huts which were half-depth in the ground and heated by stone ovens. The main concerns were agriculture and animal husbandry. A certain place in everyday life there had crafts. In contrast to the previous period, potteries were made by hand without using a potter's wheel. Most of the tools are made of bone, horn, and stone. Metal objects are very rare, but not missing.

Archaeological materials from the 6th - 7th centuries AD discovered during investigations of many settlements and necropolises in the Prut-Dniester area reflect the life and activities of the Eastern Romance and aliens in a period marked by major social, economic, and cultural transformations.

Early medieval era is represented by material culture of the first pre-state formations (the 9th - 12th centuries) and early states (the 13th - 14th centuries): vessels, tools, adornments and clothing items, pectoral crosses.

These findings testify to the existence of certain exchange relationships of the Eastern Romance with the neighboring communities, especially the Byzantine Empire. Among these items there are amphorae and vessels made on the potter's wheel, bronze adornments, coins, etc.