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#Exhibit of the Month

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Around thirty icons from the collection of the National Museum of History of Moldova feature Saint Nicholas the Hierarch and Miracle Worker. While most represent the later iconographic tradition, a few early images stand out as rare examples due to their composition.
In the icon "Saint Nicholas with Scenes from His Life", the hierarch is depicted bust-length, blessing the Gospel. He is framed by two round medallions showing Christ and the Mother of God, who hand him the Gospel and the omophorion. Saint Nicholas, earlier than other saints, was portrayed with scenes from his hagiographic cycle. The first images of his life date back to the 11th century, represented on a folding icon from the Monastery of Saint Catherine at Sinai. 

The museum icon dates from the early 19th century, preserving the traditional chest format typical of classical icons. Twelve panels illustrate episodes from the saint's life, arranged from left to right: four on the upper register, four on the lower, and two on each side, as follows: Birth of Saint Nicholas (1), Baptism of Saint Nicholas (2), Miracle of Healing the Crippled Woman (3), Apprenticeship of Young Nicholas (4), Ordination as Deacon (5), Ordination as Bishop (6) Vision of Constantine (7), Saint Nicholas Saves Three Voivodes from Execution (8), Miracle of Rescue from Drowning (9), Miracle of Saving Basil from the Arabs (10), Dormition of Saint Nicholas (11), Translation of the Relics of Saint Nicholas to Bari (12).

Saint Nicholas the Hierarch is commemorated by the Orthodox Church twice a year: on December 6/19, the day of his birth, and on May 9/22, the day his relics were transferred from Myra to Bari (1087). Among all saints of the Christian world, the image of Saint Nicholas is one of the most popular, easily recognizable even to those unfamiliar with iconography.

He was born in the Roman Empire, at Patara in the province of Lycia, between 260-280, though early sources omit the exact date. Coming from a wealthy family, he rejected fame and luxury. From an early age he devoted himself to prayer and the study of Holy Scripture, while also mastering other disciplines. He avoided noisy gatherings and idle talk, attended church regularly, and pursued a life of chastity. Later he dedicated himself to pastoral ministry, defending the Christian faith with perseverance and firmly opposing heresies.
Through his care for people and the benefactions he performed everywhere, he became highly venerated not only in Myra but also in the surrounding regions. The grace of the Holy Spirit dwelling in his heart was revealed through miracles performed both during his life and after his death, earning him the enduring title of "Miracle Worker." Saint Nicholas passed away in the 330s (circa 334-337), and his remains were placed in a sumptuous marble tomb in the episcopal cathedral where he had served for many years. This soon became an important center of pilgrimage.
Holy Tradition has preserved with accuracy the features of his portrait, and his appearance in icons is marked by a distinct individuality. Ecclesiastical art has produced numerous iconographic representations, ranging from bust images to full-length depictions. The diversity of these representations suggests that the final iconography of Saint Nicholas was not yet established, taking shape only in the 10th-11th centuries. It is said that an authentic icon from the basilica in Myra, executed during the saint's lifetime and mentioned in written sources as early as the 11th century, played a significant role in his veneration.
Icons depicting the hagiographic cycle of Saint Nicholas spread widely in both Byzantine and post-Byzantine art, confirming the importance and popularity of his cult.

Virtual Tour


Exhibitions

World Press Photo 2022

9 – 30 November 2022

Chisinau will host for the sixth consecutive time the World Press Photo International Exhibition, 2022 edition - a competition that recognizes quality photojournalism and rewards images and stories from around the world. The event is organized by the Center for Independent Journalism (CJI) with the support of the Office of the Kingdom of the Netherlands in Chisinau.

The exhibition includes the best photos taken in the world during 2021 and will be launched on November 9, at the National Museum of History of Moldova. The winners of the World Press Photo 2022 contest present stories that span a wide spectrum of issues - from the undeniable effects of the climate crisis or the civil rights movements and the right to access education, to the preservation of indigenous practices and identity.

Most of the winning stories of the World Press Photo 2022 contest are submitted by photographers who are close to these stories. 19 of the 24 awarded projects belong to photographers originating from the countries or communities where their winning stories were photographed. This year, out of 64,823 works sent to the competition by 4,066 photographers from 130 countries around the world, 24 regional winners and 4 global winners from 23 countries were selected: Argentina, Australia, Bangladesh, Brazil, Canada, Colombia, Ecuador, Egypt, France, Germany, Greece, India, Indonesia, Japan, Madagascar, Mexico, Nigeria, Netherlands, Norway, Palestine, Russia, Sudan and Thailand.

The four overall winners are:

● Photo of the Year Award: "Kamloops Residential School" by Amber Bracken, Canada, for The New York Times;
● Photojournalism of the Year Award: Saving Forests with Fire by Matthew Abbott, Australia, for National Geographic/ Panos Pictures;
● Award for long-term projects: Amazonian Dystopia by Lalo de Almeida, Brazil, for Folha de São Paulo/ Panos Pictures;
● Prize for multimedia project: Blood is a Seed by Isadora Romero, Ecuador.

For the first time, the "Photo of the Year" doesn't surprise people. The image, by Amber Bracken, commemorates the children who died at the Kamloops Indian Residential School in British Columbia, an institution created to forcibly assimilate Indigenous children and where 215 unmarked graves were discovered. Residential schools began operating in the 19th century as part of a policy of assimilating indigenous people into Western and predominantly Christian culture. A Truth and Reconciliation Commission concluded that at least 4,100 students died in these schools. Kamloops became the largest educational institution in this system.

The general public is invited to discover the stories behind the winning photos at the National Museum of History of Moldova between November 10-30, 2022.

Useful information about the event:

● Exhibition launch: November 9, 3:00 p.m., National Museum of History of Moldova, based on invitations;
● Daily opening hours for the general public: 10:00 - 17:00. Friday - closed;
● Tickets can be purchased inside the museum;
● Ticket price: 10 lei/adults; 5 lei/students.

The annual World Press Photo international exhibition travels around the world. It is set up in almost 100 spaces from about 45 countries and is visited by over 4 million people every edition. The first edition of World Press Photo took place in 1955, when a group of Dutch photographers organized a competition to exhibit their work in front of an international audience. Over the years, it has become one of the most prestigious photography and visual journalism competitions in the world.

In Chisinau, the exhibition was organized for the first time in 2017.

The World Press Photo exhibition is organized in Chisinau by the Center for Independent Journalism (CJI) with the support of the Embassy of the Kingdom of the Netherlands in Chisinau.


 




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Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
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Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
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#Exhibit of the Month

Around thirty icons from the collection of the National Museum of History of Moldova feature Saint Nicholas the Hierarch and Miracle Worker. While most represent the later iconographic tradition, a few early images stand out as rare examples due to their composition...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC