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Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

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Exhibition Opening: Art in Motion: From Sketch to Directed Film

October 28, 2025

On October 28, 2025, the National Museum of History of Moldova inaugurated the exhibition Art in Motion: From Sketch to Directed Film, organized to mark World Day for Audiovisual Heritage.

Speakers at the official opening included Dr. Eugen Sava, General Director of the National Museum of History of Moldova; Valentina Plugaru, Executive Secretary of the Union of Filmmakers of Moldova; actress Zinaida Timofti, widow of the late director Valeriu Gagiu, known for his work with the Bulgakov-Roman duo; and Ana Maria Rusnac, the exhibition's curator, who presented the research methodology and conceptual framework. Their remarks emphasized the importance of scenography as an autonomous art form and the museum's role in preserving the visual memory of national cinema.

The exhibition highlights the contribution of painter-scenographers who shaped the visual identity of Moldova-Film productions-a film institution with a complex evolution, from the founding of the "Moldovan Studio for Documentary Newsreels" in 1952 through multiple reorganizations that redefined its status and functions. Over several decades, the studio produced feature films, documentaries, and animations that helped forge a distinct cinematic image in the Eastern European context. This legacy is at the heart of the exhibition's reflection.

Central to the display is the work of Aurelia Roman, a distinguished scenographer active at Moldova-Film between 1959 and 1987 and a graduate of the VGIK Art Faculty in Moscow. Also featured are works by Stanislav Bulgakov, Honored Master of Art of the Moldavian SSR.


From a methodological standpoint, Art in Motion offers a multi-layered reading-historical, aesthetic, and technical-by placing archival documents in dialogue with the final cinematic product: the initial sketch, costume model, or studio diorama alongside the filmed image. The project also draws on the museum's collections to demonstrate how scenography functions as an "architecture of emotion" and a vital component of audiovisual heritage.

Curated by Olga Andranovici and Ana-Maria Rusnac, the exhibition invites specialists, students, and the general public to explore the behind-the-scenes world of cinematic creation and to reconsider scenography's place within the discourse of national cultural heritage.

The exhibition is open to visitors from October 28 to November 28, 2025, in the first-floor foyer of the National Museum of History of Moldova (121A, 31 August 1989 Street, Chișinău).



 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC