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#Exhibit of the Month

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The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

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#Exhibit of the Month

March 2023

The anthropomorphic figurine from Cealîc

The anthropomorphic figurine belongs to the Eneolithic period - the middle of the 5th millennium BC. It was discovered in a fragmentary state, during the archaeological excavations, carried out by I. Manzura and B. Govedaritsa in 2012, in the settlement of Cealîc, Taraclia district. The fragments of the figurine were found among pieces of burnt clay paste, in the southern part of a dwelling, which most likely represented a special place for religious ceremonies. This hypothesis is also supported by the presence near the figurine of seven small cups, decorated with incised ornament, which were apparently used for ritual libations.

The figurine is made of fine clay paste, mixed with crushed ceramic, and its surface is covered with a layer of light brown engobe. It is made in a realistic manner, traditional for the Gumelnița culture, and shows a female figure in a vertical position, with folded and raised arms, in the so-called "Oranta" pose, which is widespread in the Orthodox iconographic tradition, when the image of the Mother of God is depicted. The figure's head placed on a tall cylindrical neck has a flattened shape, the nose is represented by a vertical belt, and the eyes - by two holes. The body is flattened, widening sharply at the bottom. On the surface of the body, the chest and navel are well highlighted. The buttocks and legs are well contoured and decorated in a voluminous manner. The surface of the buttocks is decorated with spiral-shaped incisions, and the thighs - with vertical and oblique incisions. A horizontal belt can be seen below the knees, which possibly represents the upper part of the footwear of the type of high boots. On the arms and in the lower part of the body there are holes, intended for hanging some accessories.

Anthropomorphic figurines belong to the category of cult objects and, according to specialists, are associated with various ritual ceremonies. In archaeological sites from the Neolithic and Eneolithic eras, they are usually found in contexts related to the mythical world of gods or otherworldly ancestors. Figurines are usually found near houses ovens or hearths, in places considered to be located on the border between worlds. In the funerary practice of those times, female figurines are usually associated with the burials of children under 10-12 years old, who, according to the visions of the ancients, still partially belong to the other world. It is believed that in the religious structures of prehistoric farmers, female anthropomorphic images were associated with the cult of fertility and rebirth. These possibly depicted the Great Mother Goddess or fertility deity. According to some researchers, anthropomorphic figurines in general could be associated with ancestor worship.

Figure dimensions: Height - 195 mm, Maximum width - 84 mm.
Cultural affiliation: Gumelnița A Culture, Bolgrad-Aldeni Variant,
Date: approx. 4600-4400 BC



 

 


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Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
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#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC