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#Exhibit of the Month

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The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody. The cylinder holds seven melodies by W.A. Mozart, which are played through the vibration of steel teeth arranged in a comb, whose tips are adjacent to the cylinder. The lid of the box features floral marquetry on its outer surface. This cultural asset is classified under the "Tezaur" category.

The Story of Musical Boxes

Musical boxes originated in Switzerland at the end of the 18th century. In 1796, watchmaker Antoine Favre-Salomon invented a pocket watch with an incorporated musical mechanism, using the principle of tuned metal lamellae. The invention quickly spread, soon leading to the creation of musical boxes independent of watches.

Initially invented and built for the salon entertainment of the aristocracy, musical boxes quickly evolved, capturing the market and public interest with these entertainment machines. The musical box industry was predominantly centered in Switzerland. Geneva remains the cradle of the musical box, even though the art of crafting these musical wonders spread to other regions of Switzerland - such as Jura, Auberson, and Sainte Croix - and later to other countries, including France, Germany, and Czechoslovakia. Some of the most notable manufacturers of musical boxes include: Mermod Frères, Paillard, Reuge, Thorens, Cuendet, Junod, Nicole Frères, Ducommun-Girod, Brémond, and L'Epee.

The musical box operated on a relatively simple principle: a cylinder with pins (cylindrical pins) would, through rotation, actuate a metal "comb" tuned to specific musical notes, both being concealed from view in one of the box's compartments. By turning the cylinder - with the help of a spring mechanism (similar to that of watches) - the pins would strike the steel "teeth" of the comb, causing them to vibrate and produce different musical notes. A musical box could have a limited number of melodies "programmed" onto the cylinder - from 4 to 12.

Over time, the cylinders were replaced with interchangeable metal discs. Based on this operating principle, large musical boxes emerged in cafés and taverns, which could be activated by inserting a coin, allowing users to select their preferred disc.

Besides the ingenious mechanism, musical boxes also stood out for the artistry of their exterior decorations, featuring materials such as precious woods, mother-of-pearl, ivory, and metal.

The decline of musical boxes began with the invention of the phonograph (1877) and the gramophone (1887). Production continued for a while, but by the early 20th century, most renowned companies had abandoned the business and started manufacturing other mechanical musical instruments.

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#Exhibit of the Month

September 2024

The Metal Vessel from Yahorlyk on the Middle Dniester

The metal vessel was likely used as a funerary urn. It was found together with another vessel, shaped like a shell and used as a lid for the urn, in a landslide along the road within the Yahorlyk Nature Reserve, Dubăsari District. The village of Yahorlyk is located at the mouth of the stream of the same name, a left tributary of the Dniester River.

The vessel belongs to the Hemmoo type (or Eggers 63) and is a rare find in the late ancient sites of the 2nd-3rd centuries AD. Researchers consider this type of vessel to be of Italic, Gallo-Italic, or Mediterranean origin, frequently used as a funerary urn or burial inventory by the Bastarnae. Upon discovery, the vessel was reportedly filled with "earth and burnt bones."

The vessel was found together with a brass sheet vessel that had undulated or fluted walls. It has a height of 14.9 cm (without the base ring). The diameter of the vessel's body is 19.5 cm, and the total height is 16.2 cm. The rim of the vessel flares outward with a diameter of 20.5 cm. The vessel is made from thin brass sheet, only 0.1 cm thick. The upper part of the vessel is modestly ornamented. The middle of the rim, on the exterior, has a shallow horizontal line incised. The transition from the rim to the body is marked by a wide groove, 0.3 cm in width. From this groove, the rim thickens to 0.25 cm. On the upper part of the rim, on two symmetrically placed sides, semicircular handles with stepped bases were cut out. The handles are 2.2 cm in height and 5.1 cm in width. Including the "steps" at the base, the handles are 6.1 cm wide. In the middle of each handle, a circular elongated hole was made for the attachment of a handle, measuring 1.2 x 1.5 cm.

The ornamentation on the upper part of the vessel's body consists of two bands, each formed by two parallel incised lines, spaced 0.2 to 0.4 cm apart. The interval between the two bands is 0.9 cm. The vessel's handle is semicircular, mobile, fairly thick, rectangular in cross-section (0.8 x 0.9 cm), and made from a rounded brass bar. The ends of the handle are thinned to 0.6 cm and widened to 0.9 cm over a length of 2.6 cm, resembling bird heads. On the median part of the bar, incised marks resembling Roman numerals IX and XI are present. The bottom of the vessel was made from a separate brass sheet, worked by pressing on a lathe. Evidence of this process is the indentation from the lathe's fixing rod, preserved in the central part of the vessel's bottom. Surrounding this indentation is an ornament consisting of two bands of concentric lines, with diameters of 1.8 cm and 5.9 cm, respectively. The lower part of the vessel is raised and rests on a ringed base, formed by shaping the vessel's walls and bending the piece that formed the actual bottom. This base has a diameter of 8.7 cm.

For the North-West Pontic and East-Carpathian regions, several scattered sites or points where fragments of metal vessels were discovered, used as funerary inventory or urns, should be mentioned. These include discoveries from the funerary complexes of flat necropolises dated to the first centuries AD, at Hansca-Lutăria II and Dănceni-Ialoveni. Here, excavations identified noble graves with fragments of bronze vessels with metal handles, similar to the vessel from Yahorlyk.



 

 


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#Exhibit of the Month

The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC