#Exhibit of the Month

To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy.
One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany.

The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976."
The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."

Virtual Tour

Publications

Albums

Eugen Sava, Aurelia Cornețchi, Elena Postică, Elena Ploșnița

National Museum of History of Moldova 1983-2013

Series “Albums” I, Chisinau, 2013. 191 p. ISBN 978-9975-80-811-8.

Founded in 1983, the National Museum of History of Moldova has become over the years a cultural and scientific institution with recognized identity, an important segment of the national memory. Ever since its creation, the museum has permanently pleaded for protection, scientific and public use of historical-cultural heritage; it became scene of specialist scientific debate, lead and created rules in Moldovan museography, proposed and promoted law projects in this field, various legal acts, promoted continuously a cultural and scientific dialogue, always campaigned for exhibition accessible to a large public.

Nowadays, the museum holds an important place in the hierarchy of Moldovan museum system given the contribution to the development of Moldovan museology gradually evolving into an institution with individuality and given its attitude towards the public which is supporting the museum and perceiving it as part of daily culture.

At the end of 2013, the National Museum of History marked the 30^th anniversary from its foundation. The anniversary was marked by the publication of the Album National Museum of History of Moldova 1983-2013. The work was inspired by the respect for the museum and its audience, by the knowledge of national values and the need to present and promote the museum institution. Also, the album is a tribute to all those who through their concerns have contributed to the creation and development of the National Museum of History. The album is an intellectual achievement worthy for the documental history presented.

Printed with hardcover, the content of the volume illustrates key moments and events relating to the organization and development of the museum over 30 years. The album is structured in several sections: Foreword, Short history, Heritage, Exhibitions, Scientific activities, Cultural-educational events, Personnel. Regarded as a whole, the album represents a valuable contribution to the development of Moldovan museology. The volume contains around 170 images reflecting museum's various activities, development of the institution during its 30 years of existence and shows the most significant museum exhibits displayed in the permanent exhibition, in temporary exhibitions and preserved in museum collections. The pictures are of good graphic quality. The images were used by authors to present the museum's past and present.

The reader enters the museum world with the Forward signed by dr.hab. Eugen Sava, general director of the museum, which presents shortly the foundation, evolution and significance of this museum institution. Each compartment is distinguished by a unique design developed by Ivan Litsiuk. The album was prepared by dr. hab. Eugen Sava, Aurelia Cornețchi, dr. Elena Postică, dr.hab. Elena Ploșnița.

The album is a new contribution to a deeper knowledge of Moldovan museological past, an intellectual achievement worthy of note by documentary value and usefulness of the approach in general.

Published in 2013 at the publishing house Bons offices from Chișinău, the album is intended for all those interested and passionate by museum and heritage, wherefore all texts are given in three languages: Romanian, English and Russian. .

Elena Ploșnița