In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Галина Кущ, Гульнара Джумабекова, Сергей Демиденко, Галия Базарбаева
A Late Bronze Age hoard with a riveted vessel from East Kazakhstan
Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică
Keywords: East Kazakhstan, Bronze Age, hoard, metal tools, cauldron.
Abstract: This article presents a hoard of the Bronze Age metal objects found in the East Kazakhstan region. Paralels to the items from the hoard are found among antiquities of the Andronovo culture of the Altai, the Tien Shan area, Jetysu, Xinjiang. The assemblage from Zaisan published here enlarged the group of hoards typical for the Late Bronze Age. The most interesting objects among the ones included in the hoard are the riveted cauldron and the axe with curved butt and grid decoration.
Archaeological studies revealed the wide distribution of axes with curved butts that allow us to consider them as characteristic instruments of the Late Bronze Age period in the areas of East Kazakhstan, the Altai, Jetysu, Central Asia, and the northern part of Central Asia. Researchers came to the conclusion that this type of axes can be dated to the 12th - 9th (poss. 8th) centuries BC.
Metal vessels of the Late Bronze Age (especially, the copper ones) are rarely found in the eastern part of the Euasian steppes. Besides the cauldron described in the article, some metal vessels were discovered in Central Kzakhstan at the cemeteries of Ashchisu and Nurataldy-1 (20th - 19th centuries BC). Also, similar objects are known among the materials of the Izmailov cemetery in East Kazakhstan, and metal items of the Andreevka hoard from south-eastern Kazakhstan dated to the 12th - 9th (poss. 8th) centuries BC.
Meanwhile, the closest parallels to the cauldron from the Zaisan hoard can be seen in the western part of Eurasia. Taking into account V.S. Bochkarev's classification that consists of three main groups of metal cauldrons, the vessel from East Kazakhstan may occupy an intermediate position between the groups IIB and IIIB. This allows us to date the cauldron to the end of the 13th - 12th centuries BC, while the more probable date for the Zaisan hoard as a whole lays within the range of the 12th - 9th centuries BC.
List of illustrations: Fig. 1. Localization of the hoard in relation to the settlements of Oskemen, Zaisan, Kokjyra, and Daiyr (prepared by D. Duisenbay). Fig. 2. The Zaisan hoard. 1-2 - Chisels; 3-5 - adzes (photo by S. Starikov). Fig. 3. The Zaisan hoard. 1 - Axe; 2 - axe fragment; 3 - punch; 4 - socketed hammer (photo by S. Starikov). Fig. 4. The Zaisan hoard. 1 - Hook; 2 - bronze rings (photo by S. Starikov). Fig. 5. The Zaisan hoard. Metal vessel (photo by S. Starikov).
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
