The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
About bells and bellmakers in Moldavia (before 1859)
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Abstract
Bells used in Christian churches are documentary sources due to the inscriptions, decorations and coats of arms available on them. Depending on the language in which the inscriptions were made, old bells had different names. The bells used to be donated to the churches by private persons, by the right of the founder, or by communities; the oldest bells of the medieval Moldavian state date back to the reign of Stephen the Great. The alloy used for bell casting contained copper, brass and a minor amount of silver or other elements. Bellfounders were itinerant, traveling from church to church to cast bells, the furnaces were built on sites, and the casting of large bells was carried out only during the warmer months. The most lasting operation was building the furnace and constructing the mold, and the most dangerous process was pouring the melt metal in a mold. This was followed by controlled cooling the bell, removing the mold material after the metal has solidifi ed, and finishing the bell. Casting bells was always associated with a number of beliefs and practices meant to contribute to the success of the operation and the obtaining of a beautiful sound of the bell. Data about the practitioners of this craft are rather scanty; their few names can be found in archival documents and inscriptions on the bells only to the middle of the 18th century. Some bells were cast in Transylvania, in Sighișoara and Brașov. Whether members of the clergy or the laity, the bellfounders had great technical knowledge and skills handed down from father to son. Unfortunately, only a few churches and monasteries preserved the original bells; many were lost in course of time, sometimes in fi res, and in most cases because of requisitions for military needs, when they were melted down to make cannons.
Elena Chiaburu
Removing and censoring books in communist Romania: Ion Ionescu de la Brad’s case
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 2, Istorie. Muzeologie
Elena Chiaburu
Political purges from Romanian universities during the communist regime: the case of Gheorghe Ivănescu
Tyragetia, serie nouă, vol. XIX [XXXIV], nr. 2, Istorie. Muzeologie, Chişinău, 2025
Elena Chiaburu
New interpretations of the origin and the name of Gavriil Bănulescu (Bodoni)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
