The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage. The necklace consists of 11 elements made entirely of Egyptian faience. Eight of the beads are spherical and decorated with vertical incisions forming between 14 and 21 raised ribs. Their diameters range from 13 to 20 mm. Two additional elements are scarab representations measuring 23.5 × 19.5 mm, while the final component is a flattened cylindrical pendant bead featuring a central vertical groove and measuring 22 × 9 mm. The objects range in color from light blue to dark blue and violet hues, reflecting the natural deterioration and glaze variations characteristic of Egyptian faience. Egyptian faience is an artificial quartz-based material coated with an alkaline glaze, typically blue or blue-green in color. It was widely used in Ancient Egypt and later spread throughout the Mediterranean and Pontic regions through trade networks. During the first centuries AD, such objects served as important indicators of cultural and economic contacts between the Mediterranean world and the communities of the North Pontic region. Owing to its typological, technological, and symbolic characteristics, the Taraclia necklace is an exceptionally valuable artifact for the study of intercultural relations, the circulation of prestige goods, and the funerary practices of the Sarmatian communities during the first centuries AD (1st-2nd centuries AD).
About bells and bellmakers in Moldavia (before 1859)
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Abstract
Bells used in Christian churches are documentary sources due to the inscriptions, decorations and coats of arms available on them. Depending on the language in which the inscriptions were made, old bells had different names. The bells used to be donated to the churches by private persons, by the right of the founder, or by communities; the oldest bells of the medieval Moldavian state date back to the reign of Stephen the Great. The alloy used for bell casting contained copper, brass and a minor amount of silver or other elements. Bellfounders were itinerant, traveling from church to church to cast bells, the furnaces were built on sites, and the casting of large bells was carried out only during the warmer months. The most lasting operation was building the furnace and constructing the mold, and the most dangerous process was pouring the melt metal in a mold. This was followed by controlled cooling the bell, removing the mold material after the metal has solidifi ed, and finishing the bell. Casting bells was always associated with a number of beliefs and practices meant to contribute to the success of the operation and the obtaining of a beautiful sound of the bell. Data about the practitioners of this craft are rather scanty; their few names can be found in archival documents and inscriptions on the bells only to the middle of the 18th century. Some bells were cast in Transylvania, in Sighișoara and Brașov. Whether members of the clergy or the laity, the bellfounders had great technical knowledge and skills handed down from father to son. Unfortunately, only a few churches and monasteries preserved the original bells; many were lost in course of time, sometimes in fi res, and in most cases because of requisitions for military needs, when they were melted down to make cannons.
Elena Chiaburu
Removing and censoring books in communist Romania: Ion Ionescu de la Brad’s case
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 2, Istorie. Muzeologie
Elena Chiaburu
New interpretations of the origin and the name of Gavriil Bănulescu (Bodoni)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Elena Chiaburu
Political purges from Romanian universities during the communist regime: the case of Gheorghe Ivănescu
Tyragetia, serie nouă, vol. XIX [XXXIV], nr. 2, Istorie. Muzeologie, Chişinău, 2025
The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.