To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Anuarul Muzeului Național de Istorie a Moldovei, nr. I
Chișinău, 1992
I. Studii
• Nicolae A. Răilean, Istoria există numai prin adevăr • Nicolae A. Chetraru, Primul arheolog basarabean Ion C. Surucean și primul muzeu de istorie a Moldovei • Grigorie P. Jitaru, Contribuții la istoricul blazonului Basarabilor • Vlad D. Ghimpu, Considerații privind evoluția procesului etnic în Moldova • Mihai Sofronie, Vasile Stroescu, un mare mecenat al românilor transilvăneni • Л.Г. Амшеников, Молдавские поселения на Украине
II. Istorie veche și arheologie
• И.А. Борзияк, А.И. Давид, Т.Ф. Обадэ, Климэуць II – верхне-палеолитическая стоянка с мамонтовой фауной в Приднестровье • О.Г. Левицкий, Е.Н. Савва, Л.Ф. Чобан, Исследование курганного могильника раннего железного века у с. Тринка. • В.Я. Сорокин, Орудия труда и хозяйство племен культуры Прекукутень-Триполъе А на территории Молдовы • Н.В. Гольцева, Два кинжалa-меча эпохи бронзы из собрания Национального музея истории Молдовы • В.П. Хахеу, О гетских памятниках Левобережья Молдовы. • Г.И. Постикэ, Новые данные о средневековом горизонте в Старом Орхее • Natalia N. Mateevici, Colecțiile fondului de arheologie ale Muzeului Național de istorie a Moldovei
III. Istorie
• Mihai P. Onilă, Satele din județele Lăpușna, Orhei și Soroca care au fost închinate mănăstirilor (sec. XV-XVII) • Pavel S. Cocîrla, Unele dale privitoare la administrația ținutului și tîrgului Orhei la sfîrșitul sec. XVI - prima jumătate a sec. XVII • Liuba C. Bîrsan, Pîrcalabii cetăților de pe Nistru în timpul domniei lui Ştefan cel Mare • И.Е. Гончарова, Монеты феодальной Молдовы • В.Б. Букарский, План лагеря Карла XII. Из фондов Национального музея истории Молдовы • Olimpia Palamariu, Monede și medalii din sec. XVII-XIX din colecția Muzeului Hunedoara-Deva • Valentin N. Tomulet, Noi opinii privind dezvoltarea comerțului Basarabiei în prima jumătate a sec. XIX • Ludmila P. Nastase, Spre Nilul Albastru. (Destinul unui basarabean - Petru V. Şciusev). • Măria V. Hasnas, Ziarul Basarabia - cîteva file de arhiva • Elena T. Postică, Contribuții la cercetarea activității administrației românești în Basarabia în primele luni ale Marii Uniri • Virgiliu Teodorescu, Monumentele ridicate în orașul Chișinău în 1918-1940 • О.Ю. Щипакина, Страницы былого • А.А. Кушнир, Оперная певица и педагог Лидия Бабич • А.М. Кракан, Академическая капеллa "Дойна" • Nadejda V. Lavric, Soarta dramatică a orașului basarabean • Д.А. Крупейников, Стали героми на земле Молдовы • И.Ф. Рыжова, Грустная память • Л.А. Репринцева, Депортация 1949 года в Молдавии в коллекциях Музея • Alexei P. Zagaievschi, Satul Cosăuți - file din istorie
IV. Muzeografie și arhivistică
• П.П. Старостенко, Музей Древностей Понта Скифского И.К. Суручана в Кишиневе • Eugenia V. Borodac, Cerințe la descrierea unor categorii de obiecte muzeistice • Gheorghe Rusu, Arhivele Statului din Iași. La 160 de ani de la înființare
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.