Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Keywords: Dimitrie Cantemir, Edmond Ciuntu, Mikhail Ostrovsky, Ion Dic, the Greek Monastery of St. Nicholas, the People's Commissariat of Foreign Affairs of the USSR, Moscow, Romania.
Abstract: Frequently not only lifetime, but the posthumous biography of any historical figure becomes overgrown by numerous myths, legends and mysteries. The biography of the outstanding thinker of the first quarter of the 18th century, the Moldavian ruler Dimitrie Cantemir was no exception.
The current publication is dedicated to the research of one of the least developed areas of Cantemirology - the study of the authenticity of the Moldavian prince's remains, which were transferred by the USSR Government to Romania and reburied in Iași in June 1935.
On the basis of numerous archival documents taken from the archives of the ministries of Foreign Affairs of the Russian Federation and Romania, for the first time introduced into the scientific use, the author convincingly and gravely substantiates a version that that the transferred remains do not belong to Dimitrie Cantemir.
List of illustrations: Fig. 1. Nicolae Iorga, Nicolae Titulescu and the members of the governmental commission meet the coffin with the remains of D. Cantemir. Constanța, June 1935. Fig. 2. The letter of thanks signed by N. Titulescu, Minister for Foreign Affairs of Romania, addressed to M. Ostrosky, the Ambassador of the Soviet Union in Romania, in connection with the transfer of the remains of Dimitrie Cantemir. Fig. 3. Project of the building of the People's Commissariat for Heavy Industry. Authors: A. Vesnin, V. Vesnin, S. Lyashenko. 1934. Fig. 4. Project of the building of the People's Commissariat for Heavy Industry. Authors: I. Fomin, P. Abrosimov, M. Minkus. 1934.
The item is the lower part of a leg of a festive table made of white and gray marble. In the upper part, it has a protrusion, similar to a Doric capital, on the horizontal platform of which a square recess is engraved, designed to fix the second part of the leg (upper). The lower part of the leg is made in an anthropomorphic style, and, in our opinion, there are two variants of identifying the depicted character...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The item is the lower part of a leg of a festive table made of white and gray marble. In the upper part, it has a protrusion, similar to a Doric capital, on the horizontal platform of which a square recess is engraved, designed to fix the second part of the leg (upper). The lower part of the leg is made in an anthropomorphic style, and, in our opinion, there are two variants of identifying the depicted character. The first involves the image of the head of the young Heracles (Heracles - Ἡρακλῆς) (beardless), the most favorite hero of antiquity, wearing on his head the skin of the Nemean lion - Λέων της Νεμέας, a vicious monster from Greek mythology who lived in Nemea and was eventually killed by Heracles. The first labor of Heracles, of the twelve set by King Eurystheus (his cousin), was to kill the Nemean lion and bring his skin to the king. It is also known from Greek mythology that the lion of Nemea took the form of a beautiful woman in order to seduce the inhabitants of neighboring villages, who wanted to save the girl from danger. Upon entering the cave, a man saw the woman, who usually pretended to be wounded, and rushed to help her. When he approached her, the woman turned into a lion and killed him. Then the lion devoured the man, giving his bones to Hades - ᾍδης, the god of Hell, who lived in the kingdom of shadows. The second version of the anthropomorphic image interpretation suggests Alexander the Great, king of Macedonia in the second half of the 4th century BC, one of the most famous heroes of the Greek world, who sometimes is depicted as Hercules - wearing a lion's skin. Some researchers consider the custom of wearing the skin of a slain lion a sign of royal power. The word βασιλεύς itself, translated from ancient Greek, means "walking the path of the lion", that is, the king. This title was held by the Greek kings from the Homeric period, and later, starting from the 7th century AD - by the Byzantine emperors.
