EN RO















#Exhibit of the Month

>>>

To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy.
One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany.
The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976."
The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."

Virtual Tour


Publications Journal „Tyragetia"   vol. VI [XXI], nr. 2


Divorces in Bessarabia in the first half of the 19th century
ISSN 1857-0240
E-ISSN 2537-6330

Divorces in Bessarabia in the first half of the 19th century

Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie

A study of the problem of divorce in the 19th century is no less important than research of other issues in the field of marriage and family, because this act influenced the position of ex-spouses, especially women in society. A limited number of grounds for divorce, as well as the social foundation and moral principles of the 19th  century made a divorce very difficult and controversial issue.

The issues of divorce in the history of Moldova and Wallachia during the 19th  century were examined in works by V. Barbu, S. Solcan, C. Ghițulescu, M.M. Szekely, L. Zabolotnaia, S. Bolovan, I. Bolovan, and M. Brie. Their studies indicate that the Orthodox Church allowed the dissolution of marriage in certain cases, such as adultery, inappropriate behavior, battering and threat to life, expulsion of the wife out of home, taking the monastic vows, heresy, proxenetism, lesbianism, pedophilia, etc. However, until now there were not published any works on the history of marital divorce in Bessarabia after 1812, when it became a part of the Russian Empire.

This article provides specific examples of how the church rules on divorce were respected in the first half of the 19th  century. As research sources there were used documents from the State Archives of the Republic of Moldova, namely from the files of the Chișinău Theological Consistory and the Civil Court of Bessarabia, which addressed such matters.

At the beginning of the 19th  century the civil law in Bessarabia had standards of the local law. According to Harmenopoulos’s “Hexabiblos” (title 12, volume 4), there existed “reasons for husband’s divorce to the detriment of his wife” and “reasons for wife’s divorce to the detriment of her husband”.  In the first case, a husband could divorce his wife for the following reasons: adultery, attempt on husband’s life, wife’s repast with other men without the knowledge of her husband, participation in public events without the knowledge of her husband, abortion, wife’s missing from home against the will of her husband, unless she visited her parents. In the second case, reasons for divorce were: husband’s impotence, the attempt on wife’s life, adultery even after the second warning, wife’s accusing of adultery unproven by husband. A common reason for divorce was the monasticism.

The marriage could be dissolved in the case of a wife’s depravity. Archival materials show, however, that there were different reasons and means to resolve the issue in favor of preserving the family. This was the case of the family of Hristi and Vasilca Bulgaru from the village of Vulcănești, Izmail County. Despite the fact that the accusation in wife’s depraved behavior, as well as drunkenness and theft, was proved, the divorce was rejected and the case ended in reconciliation between the spouses.

Among the cases of divorce, as reflected in the documents of the Chișinău Theological Consistory, there were marriages dissolved by the church because of the infringement of the church norms. For example, in 1819 it was considered the case of a sexton of the Briceni village, Hotin County, Tudor Ghiba, who had married a fourth time. It was decided to recognize the fourth marriage illegal. Although in accordance with the principles of the church ex- spouses had to be subjected to penance, because of their advanced age they were sentenced only to repentance.

However, there have been cases when the applicants withdrew their petitions for divorce, even though under local laws there were all grounds for the dissolution of marriage. Among these cases it should be noted that of a resident of the village of Chișla, Hotin County, Maria Buticoviceva, who wished to divorce her husband Andrei Buticovicev. The motive for the petition for divorce was his behavior: he drank every day, threatened to take her life, and ex-pulsed her out of the house at night with the young child. But a month later, Maria decided to forgive her husband and refused to divorce.

So, we can conclude that the reasons for divorce in Bessarabia in the first half of the 19th  century were a violation of church rules concerning marriage, monasticism, attempt on the spouse’s life, adultery and some others. At the same time, the ecclesiastical authorities usually tried to prevent divorce, doing everything possible to preserve the family.

Alina Felea
From family history in the Romanian space: Alcoholism and family relations in the 18th century in Moldavia and in the first decades of the 19th century in Bessarabia
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Alina Felea
From the history of a family in Bessarabia of the early 19th century: the husband's inability to perform the conjugal duty
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Alina Felea
Some categories of epitaphs in Moldova and neighboring countries in the 17th - early 19th centuries
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Alina Felea
Cantemir’ s wills. Case Study (XVIII - beginning XIX centuries)
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Alina Felea
Some dates of family Imbault
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie



 

 

Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
17 February 2026
 
September 25, 2025 – September 1, 2026
 
August 11, 2025 – January 31, 2026
 
Over 2500 pieces made of precious metals with historic, artistic and symbolic value
  

Come to Museum! Discover the History!
  
Visit museum
Visit museum
Summer schedule: daily
10am – 6pm.

Winter schedule: daily
10am – 5pm.
Closed on Mondays.
Entrance fees:  adults - 50 MDL, Pensioners, students - 20 lei, pupils - 10 MDL. Free access: enlisted men (...)

WiFi Free Wi-Fi Zone in the museum: In the courtyard of the National History Museum of Moldova there is Wi-Fi Internet access for visitors.


#Exhibit of the Month

To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...

Read More >>

































The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC