German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design. The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style. The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition. It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV. The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.
The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.
These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.
Dwellings of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers (analysis, typology and comparative analysis)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
The paper attempts to make a detailed analysis of residential structures of the population relating to the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers. Vestiges of dwellings were found on 23 unfortified settlements (Belino, Bol'shaya Andrusovka I, Bol'shaya Snytonka IV, Vishenka II, Voroshilov, Galitsa II, Gromy V, Dnestrovka, Zhvanets, Kanev, Kanev IV, Kreshchatik, Lenkovtsy, Luka-Vrublevetskaya, Makeyevka, Man'kovka X, Mikhalkiv I, Molodetskoye X, Molodovo, Neporotovo, Pikivets VI, Sokilets, Uman XX) and 12 fortified settlements (Adamovka, Bogdanovka I, Grigorovka, Zalevki I, Ivanovka, Kalantayevo, Lubentsy, Nemirovo, Novo-Georgievsk, Rudkovtsy, Subbotovo, Tyasminka) (fi g. 1). All the sites, except the Early Chernoles settlements of Bol'shaya Andrusovka I, Bol'shaya Snytonka IV and Mikhalkiv I, as well as the lower layer of the Subbotovo settlement, were associated with the late stage of the Chernoles culture. In all on the sites of the Early Chernoles culture there were found 17 semi-dugouts and one dugout. On settlements of the late stage 70 surface dwellings, 10 semi-dugouts and 11 dugouts were identified.
Thus, based on available data a classifi cation of 109 residential structures has been proposed. During the early period of Chernoles culture they practiced construction of semi-dugouts and dugouts (fi g. 4). At a later stage of the Chernoles culture they constructed mainly dwellings on the ground surface, and to a lesser extent semi-dugouts and dugouts (fi g. 5-7).
In general, the analysis provided an opportunity to compare dwellings referring to the early and the late periods of the Chernoles culture based on such data as the location of dwellings, their shapes, sizes, designs and interior condition. The main result is an identifi cation of common and distinctive features in the construction of houses of the Chernoles culture bearers.
For the early stage of the Chernoles culture there were determined seven characteristic features in the construction of residential structures: 1) dwellings arranged in a row; 2) semi-dugouts were the leading type of structures; 3) residential structures were of rectangular or square shape; 4) dwellings feature is that the walls are lined with wooden planks or logs; 5) dwellings were equipped with heating facilities or those were absent; 6) there were found pits along with the hearths; 7) inside the buildings clay elevations were identified.
In the course of studying dwellings of the late stage of the Chernoles culture there were revealed nine characteristic features: 1) houses were located in one, two or three rows; 2) ground constructions should be considered the main type of housing; 3) all types of dwellings equally had rounded or rectangular shapes; 4) ground dwellings with frame-and-pillar or stone wall construction on a stone foundation; 5) walls of the dugouts are lined with wooden planks or logs; 6) almost all ground dwellings have heating facilities, along with the pits (in some semi-dugouts and dugouts, unlike the ground dwellings, the heating facilities were absent); 7) all types of dwellings, except dugouts, have household pits; 8) construction of ground dwellings and dugouts indicate that some of them had the stairs; 9) in semi dugouts there were found subsoil shelves-benches, and in ground dwellings there were clay elevations of rounded shapes.
In general, the comparative analysis of dwellings made it possible to trace the major stages in the development of homebuilding at the Chernoles population and revealed similarities and differences between dwellings belonging to the early and the late periods of the Chernoles culture. On the other hand a weak source base (no publications) leaves unresolved a number of topical issues. Nevertheless, the importance of research lies in the fact that the dwellings as an important category of archaeological sources allow to study various aspects of life of the Chernoles population.
List of illustrations:
Fig. 1. Map of distribution of dwellings of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers (1 - Adamovka; 2 - Belino; 3 - Bogdanovka I; 4 - Bol'shaya Andrusovka I; 5 - Bol'shaya Snytonka IV; 6 - Vishenka II; 7 - Voroshilov; 8 - Galitsa II; 9 - Grigorovka; 10 - Gromy V; 11 - Dnestrovka; 12 - Zhvanets; 13 - Zalevki I; 14 - Ivanovka; 15 - Kalantayevo; 16 - Kanev; 17 - Kanev IV; 18 - Kreshchatik; 19 - Lenkovtsy; 20 - Lubentsy; 21 - Luka-Vrublevetskaya; 22 - Makeyevka; 23 - Man'kovka X; 24 - Mikhalkiv I; 25 - Molodetskoye X; 26 - Molodovo; 27 - Nemirovo; 28 - Neporotovo; 29 - Novo-Georgievsk; 30 - Pikivets VI; 31 - Rudkovtsy; 32 - Sokilets; 33 - Subbotovo; 34 - Tyasminka; 35 - Uman XX). Fig. 2. General plans and sections of dwellings of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers (1, 8 - Nemirovo (after Смирнова 1998); 2 - Bol'shaya Andrusovka I (after Покровська, Петровська 1961); 3-5 - Vishenka II (after Бойко 2004); 6, 7 - Dnestrovka (after Смирнова 1984). Fig. 3. Remains of a hearth (1), general plans and sections of dwellings (2-6), remains of a stone structure of dwelling (7) from the sites of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers (1 - Luka-Vrublevetskaya (after Шовкопляс 1956); 2 - Tyasminka (after Максимов, Петровская 1959); 3-5 - Subbotov (after Тереножкин 1961); 6, 7 - Neporotovo (after Крушельницька 1985). Fig. 4. Typology of dwellings of the early stage of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers. Fig. 5. Typology of ground dwellings of the late stage of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers. Fig. 6. Typology of semi-dugouts of the late stage of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers. Fig. 7. Typology of dugouts of the late stage of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers.
Сергей Фидельский
New materials of the Iron Age in the Middle Dniester left-bank region
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2020
Сергей Фидельский
Burial of the Early Iron Age near Slobodzeja at the lower bottom of the river Dniester
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.