The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet." Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.
The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."
The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.
This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.
Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.
The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.
Dwellings of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers (analysis, typology and comparative analysis)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
The paper attempts to make a detailed analysis of residential structures of the population relating to the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers. Vestiges of dwellings were found on 23 unfortified settlements (Belino, Bol'shaya Andrusovka I, Bol'shaya Snytonka IV, Vishenka II, Voroshilov, Galitsa II, Gromy V, Dnestrovka, Zhvanets, Kanev, Kanev IV, Kreshchatik, Lenkovtsy, Luka-Vrublevetskaya, Makeyevka, Man'kovka X, Mikhalkiv I, Molodetskoye X, Molodovo, Neporotovo, Pikivets VI, Sokilets, Uman XX) and 12 fortified settlements (Adamovka, Bogdanovka I, Grigorovka, Zalevki I, Ivanovka, Kalantayevo, Lubentsy, Nemirovo, Novo-Georgievsk, Rudkovtsy, Subbotovo, Tyasminka) (fi g. 1). All the sites, except the Early Chernoles settlements of Bol'shaya Andrusovka I, Bol'shaya Snytonka IV and Mikhalkiv I, as well as the lower layer of the Subbotovo settlement, were associated with the late stage of the Chernoles culture. In all on the sites of the Early Chernoles culture there were found 17 semi-dugouts and one dugout. On settlements of the late stage 70 surface dwellings, 10 semi-dugouts and 11 dugouts were identified.
Thus, based on available data a classifi cation of 109 residential structures has been proposed. During the early period of Chernoles culture they practiced construction of semi-dugouts and dugouts (fi g. 4). At a later stage of the Chernoles culture they constructed mainly dwellings on the ground surface, and to a lesser extent semi-dugouts and dugouts (fi g. 5-7).
In general, the analysis provided an opportunity to compare dwellings referring to the early and the late periods of the Chernoles culture based on such data as the location of dwellings, their shapes, sizes, designs and interior condition. The main result is an identifi cation of common and distinctive features in the construction of houses of the Chernoles culture bearers.
For the early stage of the Chernoles culture there were determined seven characteristic features in the construction of residential structures: 1) dwellings arranged in a row; 2) semi-dugouts were the leading type of structures; 3) residential structures were of rectangular or square shape; 4) dwellings feature is that the walls are lined with wooden planks or logs; 5) dwellings were equipped with heating facilities or those were absent; 6) there were found pits along with the hearths; 7) inside the buildings clay elevations were identified.
In the course of studying dwellings of the late stage of the Chernoles culture there were revealed nine characteristic features: 1) houses were located in one, two or three rows; 2) ground constructions should be considered the main type of housing; 3) all types of dwellings equally had rounded or rectangular shapes; 4) ground dwellings with frame-and-pillar or stone wall construction on a stone foundation; 5) walls of the dugouts are lined with wooden planks or logs; 6) almost all ground dwellings have heating facilities, along with the pits (in some semi-dugouts and dugouts, unlike the ground dwellings, the heating facilities were absent); 7) all types of dwellings, except dugouts, have household pits; 8) construction of ground dwellings and dugouts indicate that some of them had the stairs; 9) in semi dugouts there were found subsoil shelves-benches, and in ground dwellings there were clay elevations of rounded shapes.
In general, the comparative analysis of dwellings made it possible to trace the major stages in the development of homebuilding at the Chernoles population and revealed similarities and differences between dwellings belonging to the early and the late periods of the Chernoles culture. On the other hand a weak source base (no publications) leaves unresolved a number of topical issues. Nevertheless, the importance of research lies in the fact that the dwellings as an important category of archaeological sources allow to study various aspects of life of the Chernoles population.
List of illustrations:
Fig. 1. Map of distribution of dwellings of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers (1 - Adamovka; 2 - Belino; 3 - Bogdanovka I; 4 - Bol'shaya Andrusovka I; 5 - Bol'shaya Snytonka IV; 6 - Vishenka II; 7 - Voroshilov; 8 - Galitsa II; 9 - Grigorovka; 10 - Gromy V; 11 - Dnestrovka; 12 - Zhvanets; 13 - Zalevki I; 14 - Ivanovka; 15 - Kalantayevo; 16 - Kanev; 17 - Kanev IV; 18 - Kreshchatik; 19 - Lenkovtsy; 20 - Lubentsy; 21 - Luka-Vrublevetskaya; 22 - Makeyevka; 23 - Man'kovka X; 24 - Mikhalkiv I; 25 - Molodetskoye X; 26 - Molodovo; 27 - Nemirovo; 28 - Neporotovo; 29 - Novo-Georgievsk; 30 - Pikivets VI; 31 - Rudkovtsy; 32 - Sokilets; 33 - Subbotovo; 34 - Tyasminka; 35 - Uman XX). Fig. 2. General plans and sections of dwellings of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers (1, 8 - Nemirovo (after Смирнова 1998); 2 - Bol'shaya Andrusovka I (after Покровська, Петровська 1961); 3-5 - Vishenka II (after Бойко 2004); 6, 7 - Dnestrovka (after Смирнова 1984). Fig. 3. Remains of a hearth (1), general plans and sections of dwellings (2-6), remains of a stone structure of dwelling (7) from the sites of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers (1 - Luka-Vrublevetskaya (after Шовкопляс 1956); 2 - Tyasminka (after Максимов, Петровская 1959); 3-5 - Subbotov (after Тереножкин 1961); 6, 7 - Neporotovo (after Крушельницька 1985). Fig. 4. Typology of dwellings of the early stage of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers. Fig. 5. Typology of ground dwellings of the late stage of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers. Fig. 6. Typology of semi-dugouts of the late stage of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers. Fig. 7. Typology of dugouts of the late stage of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers.
Сергей Фидельский
Burial of the Early Iron Age near Slobodzeja at the lower bottom of the river Dniester
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Сергей Фидельский
New materials of the Iron Age in the Middle Dniester left-bank region
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2020
The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.