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#Exhibit of the Month

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The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody. The cylinder holds seven melodies by W.A. Mozart, which are played through the vibration of steel teeth arranged in a comb, whose tips are adjacent to the cylinder. The lid of the box features floral marquetry on its outer surface. This cultural asset is classified under the "Tezaur" category.

The Story of Musical Boxes

Musical boxes originated in Switzerland at the end of the 18th century. In 1796, watchmaker Antoine Favre-Salomon invented a pocket watch with an incorporated musical mechanism, using the principle of tuned metal lamellae. The invention quickly spread, soon leading to the creation of musical boxes independent of watches.

Initially invented and built for the salon entertainment of the aristocracy, musical boxes quickly evolved, capturing the market and public interest with these entertainment machines. The musical box industry was predominantly centered in Switzerland. Geneva remains the cradle of the musical box, even though the art of crafting these musical wonders spread to other regions of Switzerland - such as Jura, Auberson, and Sainte Croix - and later to other countries, including France, Germany, and Czechoslovakia. Some of the most notable manufacturers of musical boxes include: Mermod Frères, Paillard, Reuge, Thorens, Cuendet, Junod, Nicole Frères, Ducommun-Girod, Brémond, and L'Epee.

The musical box operated on a relatively simple principle: a cylinder with pins (cylindrical pins) would, through rotation, actuate a metal "comb" tuned to specific musical notes, both being concealed from view in one of the box's compartments. By turning the cylinder - with the help of a spring mechanism (similar to that of watches) - the pins would strike the steel "teeth" of the comb, causing them to vibrate and produce different musical notes. A musical box could have a limited number of melodies "programmed" onto the cylinder - from 4 to 12.

Over time, the cylinders were replaced with interchangeable metal discs. Based on this operating principle, large musical boxes emerged in cafés and taverns, which could be activated by inserting a coin, allowing users to select their preferred disc.

Besides the ingenious mechanism, musical boxes also stood out for the artistry of their exterior decorations, featuring materials such as precious woods, mother-of-pearl, ivory, and metal.

The decline of musical boxes began with the invention of the phonograph (1877) and the gramophone (1887). Production continued for a while, but by the early 20th century, most renowned companies had abandoned the business and started manufacturing other mechanical musical instruments.

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Publications Journal „Tyragetia"   vol. VIII [XXIII], nr. 1


Dwellings of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers (analysis, typology and comparative analysis)
ISSN 1857-0240
E-ISSN 2537-6330

Dwellings of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers (analysis, typology and comparative analysis)

Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică

The paper attempts to make a detailed analysis of residential structures of the population relating to the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers. Vestiges of dwellings were found on 23 unfortified settlements (Belino, Bol'shaya Andrusovka I, Bol'shaya Snytonka IV, Vishenka II, Voroshilov, Galitsa II, Gromy V, Dnestrovka, Zhvanets, Kanev, Kanev IV, Kreshchatik, Lenkovtsy, Luka-Vrublevetskaya, Makeyevka, Man'kovka X, Mikhalkiv I, Molodetskoye X, Molodovo, Neporotovo, Pikivets VI, Sokilets, Uman XX) and 12 fortified settlements (Adamovka, Bogdanovka I, Grigorovka, Zalevki I, Ivanovka, Kalantayevo, Lubentsy, Nemirovo, Novo-Georgievsk, Rudkovtsy, Subbotovo, Tyasminka) (fi g. 1). All the sites, except the Early Chernoles settlements of Bol'shaya Andrusovka I, Bol'shaya Snytonka IV and Mikhalkiv I, as well as the lower layer of the Subbotovo settlement, were associated with the late stage of the Chernoles culture. In all on the sites of the Early Chernoles culture there were found 17 semi-dugouts and one dugout. On settlements of the late stage 70 surface dwellings, 10 semi-dugouts and 11 dugouts were identified.

Thus, based on available data a classifi cation of 109 residential structures has been proposed. During the early period of Chernoles culture they practiced construction of semi-dugouts and dugouts (fi g. 4). At a later stage of the Chernoles culture they constructed mainly dwellings on the ground surface, and to a lesser extent semi-dugouts and dugouts (fi g. 5-7).

In general, the analysis provided an opportunity to compare dwellings referring to the early and the late periods of the Chernoles culture based on such data as the location of dwellings, their shapes, sizes, designs and interior condition. The main result is an identifi cation of common and distinctive features in the construction of houses of the Chernoles culture bearers.

For the early stage of the Chernoles culture there were determined seven characteristic features in the construction of residential structures: 1) dwellings arranged in a row; 2) semi-dugouts were the leading type of structures; 3) residential structures were of rectangular or square shape; 4) dwellings feature is that the walls are lined with wooden planks or logs; 5) dwellings were equipped with heating facilities or those were absent; 6) there were found pits along with the hearths; 7) inside the buildings clay elevations were identified.

In the course of studying dwellings of the late stage of the Chernoles culture there were revealed nine characteristic features: 1) houses were located in one, two or three rows; 2) ground constructions should be considered the main type of housing; 3) all types of dwellings equally had rounded or rectangular shapes; 4) ground dwellings with frame-and-pillar or stone wall construction on a stone foundation; 5) walls of the dugouts are lined with wooden planks or logs; 6) almost all ground dwellings have heating facilities, along with the pits (in some semi-dugouts and dugouts, unlike the ground dwellings, the heating facilities were absent); 7) all types of dwellings, except dugouts, have household pits; 8) construction of ground dwellings and dugouts indicate that some of them had the stairs; 9) in semi dugouts there were found subsoil shelves-benches, and in ground dwellings there were clay elevations of rounded shapes.

In general, the comparative analysis of dwellings made it possible to trace the major stages in the development of homebuilding at the Chernoles population and revealed similarities and differences between dwellings belonging to the early and the late periods of the Chernoles culture. On the other hand a weak source base (no publications) leaves unresolved a number of topical issues. Nevertheless, the importance of research lies in the fact that the dwellings as an important category of archaeological sources allow to study various aspects of life of the Chernoles population.

List of illustrations:

Fig. 1. Map of distribution of dwellings of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers (1 - Adamovka; 2 - Belino; 3 - Bogdanovka I; 4 - Bol'shaya Andrusovka I; 5 - Bol'shaya Snytonka IV; 6 - Vishenka II; 7 - Voroshilov; 8 - Galitsa II; 9 - Grigorovka; 10 - Gromy V; 11 - Dnestrovka; 12 - Zhvanets; 13 - Zalevki I; 14 - Ivanovka; 15 - Kalantayevo; 16 - Kanev; 17 - Kanev IV; 18 - Kreshchatik; 19 - Lenkovtsy; 20 - Lubentsy; 21 - Luka-Vrublevetskaya; 22 - Makeyevka; 23 - Man'kovka X; 24 - Mikhalkiv I; 25 - Molodetskoye X; 26 - Molodovo; 27 - Nemirovo; 28 - Neporotovo; 29 - Novo-Georgievsk; 30 - Pikivets VI; 31 - Rudkovtsy; 32 - Sokilets; 33 - Subbotovo; 34 - Tyasminka; 35 - Uman XX).
Fig. 2. General plans and sections of dwellings of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers (1, 8 - Nemirovo (after Смирнова 1998); 2 - Bol'shaya Andrusovka I (after Покровська, Петровська 1961); 3-5 - Vishenka II (after Бойко 2004); 6, 7 - Dnestrovka (after Смирнова 1984).
Fig. 3. Remains of a hearth (1), general plans and sections of dwellings (2-6), remains of a stone structure of dwelling (7) from the sites of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers (1 - Luka-Vrublevetskaya (after Шовкопляс 1956); 2 - Tyasminka (after Максимов, Петровская 1959); 3-5 - Subbotov (after Тереножкин 1961); 6, 7 - Neporotovo (after Крушельницька 1985).
Fig. 4. Typology of dwellings of the early stage of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers.
Fig. 5. Typology of ground dwellings of the late stage of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers.
Fig. 6. Typology of semi-dugouts of the late stage of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers.
Fig. 7. Typology of dugouts of the late stage of the Chernoles culture in the forest-steppe between the Dniester and Dnieper Rivers.

Сергей Фидельский
New materials of the Iron Age in the Middle Dniester left-bank region
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2020
Сергей Фидельский
Burial of the Early Iron Age near Slobodzeja at the lower bottom of the river Dniester
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică



 

 

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#Exhibit of the Month

The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC