This clay vessel was discovered in 1982 by archaeologist V. Sorochin during excavations of a burial mound (no. 1) located in the village of Speia, Dubăsari District. It originates from grave no. 5 and is dated to the 4th millennium BC, belonging to the Usatovo culture. The vessel was found in a child's grave. The burial pit had an oval shape, and the deceased was laid in a crouched position (similar to the fetal posture), on the left side. A total of five vessels were uncovered in this grave: three near the back, one at the feet, and one in the pelvic area. The cultural attribution of this funerary complex was determined based on the burial rite and grave goods. This culture is characterized by the specific construction of the burial pit, as well as the positioning and orientation of the deceased toward the east and northeast. The vessel is shaped from clay mixed with finely crushed shell. Its walls curve gradually toward the top, with the widest diameter at the shoulder area. It has a short neck, a slightly flared rim, and a flat base. The surface is carefully polished, in some areas to a lustrous finish. The interior is reddish-brown, while the exterior is yellowish-brown with gray spots. The rim features groups of perforations, three of which are preserved in their original state. The diameter of the holes is 0.35 cm. The space between the groups of perforations is decorated with cord impressions. The transition from the neck to the shoulder is adorned with three horizontal lines made with cord, from which, in five places, three vertical lines descend, each 5 cm long, executed using the same technique. At the time of discovery, these lines were filled with a white paste. The space between the groups of lines is decorated at the top with short vertical lines (0.5 cm long), and in the center with a meander ornament made of two parallel lines impressed with cord. The base of the vessel retains the imprint of a textile. Vessel dimensions: Height: 22 cm; Rim diameter: 15.7 cm; Maximum diameter: 22 cm; Base diameter: 10 cm.
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Abstract
Today the museum as an institution serving society is recognized as one of the largest educational and cultural resources, open to the public and having a huge impact on people. But nowadays the museum is also perceived as the market of cultural values. The activities of the modern museums are increasingly measured by economic criteria: profitability, efficiency, number of visitors, the cost of a visit, demand, cultural product, etc. And this happens not only in USA or Western Europe, but throughout the world, including the Republic of Moldova. In order to survive in the society of market economy, museums use marketing strategy, and marketing is increasingly seen as a very useful tool for the successful execution of their duties in the public interest. The purpose of marketing is to attract visitors by finding the best ways to meet their needs and desires. Since the entrance to most museums is paid, the author of this article examines the marketing function of a museum ticket as a museum product. For analysis several tickets of the museums of the Republic of Moldova, as well as from a number of European countries were taken. The objectives of the museum ticket are the same everywhere: little information for visitors, promotion of the museum, the museum advertising, and so on. Its development is a complex process that must be monitored and evaluated step by step. In fact, the ticket is a document of strict accountability, containing several mandatory attributes such as name, logo of the museum, contact information, and so on. As a result of the analysis, the author concludes that the ticket can do a lot of marketing functions: to promote the museum, to inform visitors, to promote public relations, act as a souvenir. One of the main functions of an entrance ticket is communication.
The author hopes that in the museums of Moldova tickets will begin to be actively used not only as a financial instrument and in order to create a first impression, but also for marketing purposes, in the work with museum visitors. Because the museum marketing aimed not only at generating income, but also at qualified orientation of visitors, promoting the authenticity of cultural heritage, instilling in a visitor a thirst for cultural values and good taste. In a market economy, museum specialists must use in their work different elements of the museum marketing, including entrance ticket.
Elena Ploșnița
Some considerations regarding the designing of a permanent exposition of the history museum
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Elena Ploșnița
Historical museum and scientific research: technology of the interaction
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Elena Ploșnița
Museum Event 2013: International Project When Sweden was ruled from Moldova
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Elena Ploșnița
On museumification of the historical site Camp of Swedish King Charles XII at Varnița
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Elena Ploșnița
Ioan Opriș, Provocarea noilor muzeografii, Editura Istros, Brăila, 2008, 236 p., ISBN:978-973-1871-16-5.
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
This clay vessel was discovered in 1982 by archaeologist V. Sorochin during excavations of a burial mound (no. 1) located in the village of Speia, Dubăsari District. It originates from grave no. 5 and is dated to the 4th millennium BC, belonging to the Usatovo culture...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.