Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany.
Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History.
The typewriter features a standard carriage mounted on ball bearings and rollers, along with a keyboard equipped with 42 keys. These contain two complete sets of Latin and Cyrillic alphabets, punctuation marks, numbers, and mathematical symbols, enabling the typing of 126 characters. Beneath the metal casing, the type bars are arranged in a fan-like pattern, holding embossed characters and ink ribbon rollers. When the keys are pressed, the type bars strike the inked ribbon, imprinting characters onto the paper tensioned in the machine's roller system. The side panels are elegantly decorated with refined cast-iron elements in the Art Nouveau style, displaying the brand name - "Ideal." The Polyglott model, featuring a bilingual keyboard patented in the United Kingdom by Max Klaczko from Riga, Latvia, was produced between 1902 and 1913, marking the first typewriter capable of writing in two languages. The "Ideal Polyglott" typewriter was actively sold in the Russian Empire and gained significant popularity in Poland, Bulgaria, and Serbia. The typewriter - a mechanical device used for printing text directly onto paper - ranks among the most important inventions of the modern era, as it revolutionized communication. From the late 19th century to the early 21st century, it became an indispensable tool, widely used by writers, in offices, for business correspondence, and in private homes. The peak of typewriter sales occurred in the 1950s when the average annual sales in the United States reached 12 million units. In November 2012, the British Brother factory produced what it claimed to be the last typewriter, which was donated to the Science Museum in London. The advent of computers, word processing software, printers, and the decreasing cost of these technologies led to the typewriter's disappearance from the mainstream market, turning it into a museum exhibit. June 23 marks Typewriter Day, commemorating the date when American journalist and inventor Christopher Latham Sholes patented his typewriter. This day celebrates the simple yet revolutionary device that has become history, as well as the remarkable literary achievements it has enabled since 1868.
Les armoiries et les drapeaux des villes Anenii Noi, Cimișlia, Fălești, Leova, Nisporeni
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Le processus d’élaboration, d’introduction et de vulgarisation des symboles territoriaux locaux de la République de Moldova, sous les auspices de la Commission Nationale d’Héraldique, est en plein développement. Après une longue pause, durant depuis 2004, l’auteur reprend le cycle de présentations de nouveaux insignes introduits dans l’usage, accompagnés de la documentation qui a servi de base à leur approbation. Cette communication présente les armoiries et les drapeaux des villes–résidences des districts moldaves (raion) Anenii Noi (approuvés dans 2005), Cimișlia (2010), Fălești (2010), Leova (2008), Nisporeni (2005). Les symboles urbains appartenant à ces villes respectent la tradition historique et la nouvelle tradition héraldique de la République de Moldova.
Liste des illustrations: Fig. 1-2. Les armoiries et le drapeau de la ville d’Anenii Noi, 2005. Auteur Silviu Andrieș-Tabac, peintre Ştefan Donciu. Fig. 3-4. Les armoiries et le drapeau de la ville de Cimișlia, 2009-2010. Auteur Silviu Andrieș-Tabac, peintre Victor Hristov. Fig. 5-6. Les projets des armoiries et du drapeau de la ville de Cimișlia, conçu par le professeur de géographie Eremei Lavric, le gagnant du concours annoncé par le Conseil municipal, 2008. Fig. 7. Le projet des armoiries de la ville de Cimișlia, conçu par le peintre Victor Hristov, participant au concours annoncé par le Conseil municipal, 2008. Fig. 8. Le projet initial du drapeau de la ville de Cimișlia, conçu par l’auteur (décembre 2008) et accepté par la Commission Nationale d’Héraldique (18 juin 2009), peintre Victor Hristov. Fig. 9. Le projet du drapeau de la ville de Cimișlia, approuvé par le Conseil municipal le 4 février 2010. Fig. 10. Les premières armoiries de la ville de Fălești, district de Bălți, 1936. Auteur la Commission Consultative d’Héraldique du Royaume de Roumanie, peintre Dionisie Pecurariu. Fig. 11-14. Les projets de drapeau de la ville de Fălești, recommandés par la Commission Nationale d’Héraldique le 26 mai 2010. Fig. 15-16. Les armoiries et le drapeau de la ville de Fălești, 2010. Auteurs la Commission Consultative d’Héraldique du Royaume de Roumanie (les armoiries), Silviu Andrieș-Tabac (le drapeau), peintre Iurie Caminschi. Fig. 17-18. Les armoiries et le drapeau de la ville de Léova, 2008. Auteurs la Commission Consultative d’Héraldique du Royaume de Roumanie et Silviu Andrieș-Tabac (les armoiries), Silviu Andrieș-Tabac (le drapeau), peintre Sergius Ciocanu. Fig. 19-20. Les armoiries et le drapeau de la ville de Nisporeni, 2005. Auteur Silviu Andrieș-Tabac, peintre Iurie Caminschi.
Silviu Andrieș-Tabac
La tradition mythique dans l’historiographie roumaine sur l’origine des armoiries du Pays Moldave
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Silviu Andrieș-Tabac
The flags derived from the state flag of Republic of Moldova
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Silviu Andrieș-Tabac
Muzeul Național de Istorie a Moldovei. The National Museum of History of Moldova. Национальный музей истории Молдовы. 1983-2003: [album]. Volum elaborat de Eugen Sava, Aurelia Cornețchi, Elena Postică, Elena Ploșnița, Chișinău: Casa Editorial-Poligra
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Silviu Andrieș-Tabac
Studii de muzeologie (I). Responsabil de ediție Elena Ploșnița, Chișinău: Bons Offices SRL, 2008, (Biblioteca „Tyragetia”, XVI), 196 p.
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Silviu Andrieș-Tabac
Emblems of justice in the contemporary Moldavian heraldry
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany. Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.