To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
La tradition mythique dans l’historiographie roumaine sur l’origine des armoiries du Pays Moldave
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Le problème de l’origine des armoiries du Pays Moldave a capté l’attention de l’historiographie roumaine, depuis l’époque des chroniqueurs jusqu’à nos jours. Au cours du XXe siècle, il a été abordé par de grands érudits comme Dimitrie Onciul, Gheorghe Brătianu, Mircea Eliade, Mihai Berza, Constantin Moisil, Dan Cernovodeanu, Jean-Nicolas Mănescu, Ştefan S. Gorovei et d’autres. Les sujets débattus sont restés les mêmes: l’origine territoriale ou dynastique de l’emblème de la tête d’aurochs, la relation entre les armoiries de l’État et les armoiries dynastiques, la signification des meubles héraldiques, l’évolution et la continuité des armes moldaves. L’auteur passe en revue les principaux travaux consacrés au sujet de l’origine mythique des armories du pays.
Silviu Andrieș-Tabac
Studii de muzeologie (I). Responsabil de ediție Elena Ploșnița, Chișinău: Bons Offices SRL, 2008, (Biblioteca „Tyragetia”, XVI), 196 p.
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Silviu Andrieș-Tabac
Muzeul Național de Istorie a Moldovei. The National Museum of History of Moldova. Национальный музей истории Молдовы. 1983-2003: [album]. Volum elaborat de Eugen Sava, Aurelia Cornețchi, Elena Postică, Elena Ploșnița, Chișinău: Casa Editorial-Poligra
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Silviu Andrieș-Tabac
Les symboles héraldiques de la commune de Lipnic, district d’Ocnița
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Silviu Andrieș-Tabac
Territorial symbols registered in the General Armorial of the Republic of Moldova in 2022
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
Silviu Andrieș-Tabac
Les armoiries et les drapeaux des villes Anenii Noi, Cimișlia, Fălești, Leova, Nisporeni
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.