Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany.
Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History.
The typewriter features a standard carriage mounted on ball bearings and rollers, along with a keyboard equipped with 42 keys. These contain two complete sets of Latin and Cyrillic alphabets, punctuation marks, numbers, and mathematical symbols, enabling the typing of 126 characters. Beneath the metal casing, the type bars are arranged in a fan-like pattern, holding embossed characters and ink ribbon rollers. When the keys are pressed, the type bars strike the inked ribbon, imprinting characters onto the paper tensioned in the machine's roller system. The side panels are elegantly decorated with refined cast-iron elements in the Art Nouveau style, displaying the brand name - "Ideal." The Polyglott model, featuring a bilingual keyboard patented in the United Kingdom by Max Klaczko from Riga, Latvia, was produced between 1902 and 1913, marking the first typewriter capable of writing in two languages. The "Ideal Polyglott" typewriter was actively sold in the Russian Empire and gained significant popularity in Poland, Bulgaria, and Serbia. The typewriter - a mechanical device used for printing text directly onto paper - ranks among the most important inventions of the modern era, as it revolutionized communication. From the late 19th century to the early 21st century, it became an indispensable tool, widely used by writers, in offices, for business correspondence, and in private homes. The peak of typewriter sales occurred in the 1950s when the average annual sales in the United States reached 12 million units. In November 2012, the British Brother factory produced what it claimed to be the last typewriter, which was donated to the Science Museum in London. The advent of computers, word processing software, printers, and the decreasing cost of these technologies led to the typewriter's disappearance from the mainstream market, turning it into a museum exhibit. June 23 marks Typewriter Day, commemorating the date when American journalist and inventor Christopher Latham Sholes patented his typewriter. This day celebrates the simple yet revolutionary device that has become history, as well as the remarkable literary achievements it has enabled since 1868.
Les symboles héraldiques de la commune de Lipnic, district d’Ocnița
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
La commune de Lipnic, district (raion) d'Ocnița est formée de deux villages - Lipnic (première mention le 19 septembre 1436) et Paustova (première mention le 20 décembre 1437). Les deux villages n'ont pas porté de symboles héraldiques et vexillologiques historiques. Les armoiries et les drapeaux des deux villages, ainsi que ceux de la commune, ont été élaborés et approuvées en 2011-2012, à l'initiative du maire Valentina Lupulciuc. La commune de Lipnic est la deuxiemme commune de la République de Moldavie, qui a résolu le problème des symboles héraldiques en complex, créant trois paires d'enseignes en relation organique.
Outre la méthode traditionnelle des armes parlantes, la méthode d'assomption des armes historiques liées à un territoire a été de même utilisée. Ainsi, ont été reprises les armoiries des boyards moldaves de la fin du XIVe siècle
- la première moitié du XVe siècle: seigneur Vâlcea de Lipnic et seigneur Mihail de Dorohoi, le premier propriétaire connu des deux domaines. Leurs armes sont connus d'après leurs sceaux, apposeés sur des actes d'hommage des princes régnants de Moldavie au roi de Pologne, conservées aujourd'hui dans les archives polonaises.
Les nouveles enseignes ont été conçues par l'auteur et dessinées par le peintre Iurie Caminschi.
Liste d'illustrations:
Fig. 1-2. Les sceaux de seigneur Vâlcea de Lipnic: 1421 et 1434.
Fig. 3-4. Les sceaux de seigneur Mihail de Dorohoi: 1395 et 1421.
Fig. 5. L'aureus de l'empereur romain Vespasien (69-79 AD), l'avers et le revers.
Fig. 6. Le denier de l'empereur romain Antoninus Pius (138-161 AD), l'avers et le revers.
Fig. 7-8. Les armoiries et le drapeau du village de Lipnic, commune de Lipnic.
Fig. 9-10. Les armoiries et le drapeau du village de Paustova, commune de Lipnic.
Fig. 11-12. Les armoiries et le drapeau de la commune de Lipnic.
Silviu Andrieș-Tabac
The flags derived from the state flag of Republic of Moldova
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Silviu Andrieș-Tabac
Les Symboles de la République Démocratique Moldave (1917-1918). Interprétation sémantique
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Silviu Andrieș-Tabac
Les armoiries et les drapeaux des villes Anenii Noi, Cimișlia, Fălești, Leova, Nisporeni
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Silviu Andrieș-Tabac
Emblems of justice in the contemporary Moldavian heraldry
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Silviu Andrieș-Tabac
Territorial symbols registered in the General Armorial of the Republic of Moldova in 2022
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany. Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.