Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable. With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects. The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home. In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present. These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Starting with 1470 Ştefan cel Mare builds a new strategy in the security politics of the eastern border of Ţara Moldovei. In the context of this strategy a new place was reserved to the city-fortress Orhei which became the central element in the protection of these borders.
During this period Ştefan cel Mare established the administration of Orhei, which was governed in the next three decades by prominent persons of the time, members of Sfatul Domnesc (Prince’s Council): Radu Gangur, Galeș, Vlaicu with his son Duma, Grozea Micotici etc. Due to their high status they contributed to the growing role that the fortress from Răut had to play in the general defense policy of Ţara Moldovei.
Orhei was a natural fortress endowed with supplementary fortifications built at different stages of its evolution, including in the period of Ştefan cel Mare’s rule, when with the help of the governors were built new fortification or repaired the old ones. Three fortifications date from this period: two big earthen and wooden wallums blocking the entrance in the settlement from the west and a stone citadel situated in the central part of Orhei city.
An argument supporting the importance of Orhei fortress in the politics of the sovereign Ştefan cel Mare is the endowment of the fortress with fire artillery, fact which was documented archaeologically by the discovery of two splendid bronze canons.
A new stage begins in the history of the fortress from Răut after the year 1494, when the governors of Orhei ceased to be members of Sfatul Domnesc, fact that lead to its gradual degradation and abandonment by the middle of the 16th century.
Gheorghe Postică, Ion Tentiuc
The metal-weight economy in the Carpathian-Dniester area in the 9th-11th centuries (archaeological contributions)
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 1, Arheologie. Istorie Antică
Gheorghe Postică
The early medieval spirituality in the Prut-Nistru space
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
