German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design. The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style. The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition. It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV. The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.
The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.
These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Starting with 1470 Ştefan cel Mare builds a new strategy in the security politics of the eastern border of Ţara Moldovei. In the context of this strategy a new place was reserved to the city-fortress Orhei which became the central element in the protection of these borders.
During this period Ştefan cel Mare established the administration of Orhei, which was governed in the next three decades by prominent persons of the time, members of Sfatul Domnesc (Prince’s Council): Radu Gangur, Galeș, Vlaicu with his son Duma, Grozea Micotici etc. Due to their high status they contributed to the growing role that the fortress from Răut had to play in the general defense policy of Ţara Moldovei.
Orhei was a natural fortress endowed with supplementary fortifications built at different stages of its evolution, including in the period of Ştefan cel Mare’s rule, when with the help of the governors were built new fortification or repaired the old ones. Three fortifications date from this period: two big earthen and wooden wallums blocking the entrance in the settlement from the west and a stone citadel situated in the central part of Orhei city.
An argument supporting the importance of Orhei fortress in the politics of the sovereign Ştefan cel Mare is the endowment of the fortress with fire artillery, fact which was documented archaeologically by the discovery of two splendid bronze canons.
A new stage begins in the history of the fortress from Răut after the year 1494, when the governors of Orhei ceased to be members of Sfatul Domnesc, fact that lead to its gradual degradation and abandonment by the middle of the 16th century.
Gheorghe Postică, Ion Tentiuc
The metal-weight economy in the Carpathian-Dniester area in the 9th-11th centuries (archaeological contributions)
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 1, Arheologie. Istorie Antică
Gheorghe Postică, Iulia Postică
Considerations regarding the museum policies within the complex Orheiul Vechi and future perspectives
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Mariana Gugeanu, Gheorghe Postică
The research, preservation and restoration of textiles discovered during the archaeological excavations undertaken at the Căpriana Monastery
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 1, Arheologie. Istorie Antică
Gheorghe Postică
Die Perlenmosaik mit Miniaturporträts des römischen Kaisers Konstantin der Große, Constantinus II und Constantius II aus Bursuceni, Republik Moldau
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
Gheorghe Postică, Ion Tentiuc
Early medieval bronze amulets representing horsemen from the Carpathian-Dniester region
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.