The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church. St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle. This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services. It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right. The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord.
The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.
Abstract: The small scale excavations conducted in 2016 on the site of Nicolaevca V had as objective to substantiate the existing interpretation of the geophysical plan and to date the anomalies from the two areas of the site. By making three archaeological excavations of various sizes we found out that the anomalies in the northern part of the settlement relate to the Precucuteni-Tripolye A stage of the Cucuteni-Tripolye culture, while the anomalies in the southern part date back to the Neolithic and belong to the Linear Pottery Culture. On the early Copper Age settlement there were partially investigated a large underground complex (probably dugout) and a burnt surface dwelling. The investigation of the Linear Pottery culture settlement allowed us to obtain a complete section of a longhouse with its inner space and two afferent long pits.
List of illustrations: Fig. 1. 1 - The site's location on the Prut-Dniester interfluve physical map; 2 - view from the east to the terrace with the Neolithic (A) and Precucuteni settlements (B); 3 - the topography of the site's micro-region. Fig. 2. The geophysical plan with the indication of excavations. Fig. 3. Excavation 3. 1 - View of the burnt clay accumulation in the northern long pit, Linear Pottery culture; 2 - view of the deposit of animal bones in the southern long pit, Linear Pottery culture. Fig. 4. 1 - View from the south to the second level in the excavation 2; 2 - view from the north to the profile of the dugout in the excavation 1. Fig. 5. Plan of the second level (39-45 cm depth) in the excavation 2 with the indication of remnants of a burnt dwelling and its possible contours identified in the partial investigation of the next level. Fig. 6. Configuration of the imprints on the burnt daub after the removal of house debris in the excavation 2 (the second level of excavation, 39-45 cm depth). Fig. 7. 1 - View from the west to the sagging portion of the burnt dwelling with the accumulation of pottery (B) and the dismantled part of a structure (A); 2 - accumulation of pottery. Fig. 8. Neolithic (1-6) and Copper Age (7-13) finds from the excavations. 1-12 - clay; 13 - copper. Fig. 9. Precucuteni pottery (1-16).
Mariana Vasilache
Établissements cucuteniens dans l’espace d’entre Prut et Dniestre (étape Cucuteni A- Tripolie BI). Aspects de l’histoire de la recherche
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
Mariana Vasilache
Cornelia Magda Lazarovici, Gheorghe Lazarovici, Arhitectura neoliticului și epocii cuprului din România. I. Neoliticul, II. Epoca cuprului, Iași: Editura Trinitas, 2006, Vol. I - 734 p. ISBN 978-973-7834-7; 2007, Vol. II - 524 p. ISBN 978-973-7834-74-4
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
Stanislav Țerna
Late Tripolian settlement near the village of Volovița (Soroca District, Republic of Moldova)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." ...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.