To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Preparation and implementation of the notarial reform of April 14, 1866 in Bessarabia
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Keywords: Bessarabia, Russian Empire, notary reform, promissory notes, land acts, entrepreneurial and property rights.
Резюме: The subject proposed in this article, though it seems only a matter of the history of jurisprudence, is also important in the study of issues related to domestic and foreign trade in Bessarabia, as almost all important transactions of purchase and sale in this period were made under the contracts, which should be notarized.
Before the adoption of the reform, notarial attributions were owned mainly by judicial institutions and even police authorities, that did not contribute to the efficiency and clarity of judicial proceedings. Russian statesmen were well aware of the need for reform in this area. However, a new Notarial Regulation in the Russian Empire was adopted only on 14 April 1866 within the judicial reform. The innovations only partially met the objective requirements of the development of bourgeois relations, but more reasonable project was previously rejected. Thus, the western model of separation of the notarial and judicial activities has been adopted only in part. Russian legislature was aimed at creating an independent institution with broad powers in the protection of the entrepreneurial and property rights and interests, but the reforms did not clearly defined competences in this regard. Notary rights were also granted to magistrates, namely in the field of authentication of various acts concluded between landowners and peasants.
With regard to Bessarabia, we note that by order of the Minister of Justice, the regional prosecutor, as in the other provinces of the Russian Empire, in June 1866 prepared a comprehensive report on the status of notaries in the local towns. However, the judicial reform was not yet extended to Bessarabia. Only from December 1, 1869 by the Decree of the Senate, the Notarial Regulation adopted in 1866 should have been applied in Bessarabia. Regarding the Romanian territories ceded to Russia in 1878, the notarial reform in the newly instituted Izmail Uyezd was introduced by the Decree of September 21, 1878.
Andrei Emilciuc
Agents of guild merchants in Bessarabia: legal framework and entrepreneurship sphere (1812-1853)
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Andrei Emilciuc
Personnel of the Danube quarantines in Bessarabia: dynamics, structure and wages (1812-1856)
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 2, Istorie. Muzeologie
Andrei Emilciuc
Fishing tax-farming in state owned waters of Bessarabia (1812-1869)
Tyragetia, serie nouă, vol. XIX [XXXIV], nr. 2, Istorie. Muzeologie, Chişinău, 2025
Andrei Emilciuc
West- European books in Bessarabia: ways of distribution and government oversight (1812-1862)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Andrei Emilciuc
The role of land transport in Bessarabian commerce (1812-1853)
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.