In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
The preoccupations of Bessarabia’s Zemstva regarding the commercial navigation on Dniester River (1869-1914)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Issues regarding the activity Bessarabia’s Zemstva, although being an important facet of the history of the land between Prut and Dniester, are poorly reflected in the literature. Only some aspects, such as the status of Zemstva, its spheres of competence, budget and social composition are reflected somewhat larger. In the shadow of past remain several problems, which require a broader approach. One of these problems is the commercial navigation on the river Dniester in preoccupations of Bessarabia’s Zemstva.
The analysis of published documents let us ascertain that Bessarabia’s Zemstva succeeded in drawing attention to the Russian imperial authorities on the issue of commercial navigation on the Dniester River. However, it is clear that in practical plan things didn’t stay so well as in the plan of intent. Obviously, on the other hand, that decentralization of power led only to a bureaucratization of the administrative machinery. From this point of view, the problems of commercial navigation on the river Dniester were discussed and researched but not solved.
Andrei Emilciuc
Representatives of Bessarabia at commodity exhibitions in the Russian Empire and in Western Europe (1829-1869)
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 2, Istorie. Muzeologie
Andrei Emilciuc
Agents of guild merchants in Bessarabia: legal framework and entrepreneurship sphere (1812-1853)
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Andrei Emilciuc
The legal status of merchants without residence in the cities of Bessarabia and in Odessa (1812-1861)
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Andrei Emilciuc
Personnel of the Danube quarantines in Bessarabia: dynamics, structure and wages (1812-1856)
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 2, Istorie. Muzeologie
Andrei Emilciuc
The legal framework of the circulation of Western European books in the Russian Empire (1721-1917)
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
