#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle.
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services.
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right.
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord.

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

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Publications

Journal „Tyragetia"

vol. IX [XXIV], nr. 1

Research of a tumulus near the Bandyshovka village

ISSN 1857-0240
E-ISSN 2537-6330

Юрий Бойко

Research of a tumulus near the Bandyshovka village

Tyragetia, serie nouă, vol. IX [XXIV], nr. 1, Arheologie. Istorie Antică Chișinău, 2015

Abstract

The article is devoted to analysis of the results of archaeological investigations undertaken in one of the barrows (in all there were discovered ﬁ ve tumuli) near the village of Bandyshovka, Vinnytsia region. The grave was robbed for several times, it was also partially destroyed as a result of extracting stones from its mound. Despite these interventions, it was possible to reconstruct the burial rite. Few ﬁnds indicate the development of intercultural relations between nomadic communities in the northern Black Sea region and forrest-steppe at the turn of the 9th - 8th centuries BC.

List of illustrations: Fig. 1. Geographical and situational location of barrows near the Bandyshovka village. Fig. 2. Bandyshovka: 1 - general plan; 2 - plan of the central part; 3 - stratigraphy by control edges. Legend: 1 - mainland clay ejections; 2 - black earth of the mound; 3 - soil from the ﬁ rst predatory excavation; 4 - buried soil; 5 - mainland clay; 6 - charred wood; 7 - soil from the second predatory excavation; 8 - animal bones; 9 - human bones; 10 - stones. Fig. 3. Bandyshovka: 1 - remains of an animal sacriﬁ ce; 2 - remains of the stone cover. Fig. 4. Bandyshovka. General plan of the central part: 1 - bronze buckle “lunnitsa”; 2 - bronze beads; 3 - fragments of bronze vessel; 4 - clay spindle whorl. Legend: 1 - mainland clay ejections; 2 - wood of the ceiling; 3 - stone (sandstone); 4 - animal bones (grave goods in the mound); 5 - animal bones; 6 - human skull. Fig. 5. Bandyshovka. Proﬁ les of the burial chamber: 1 - the proﬁ le by the line А-А1; 2 - the proﬁ le by the line Б-Б1; 3 - scheme of the vertical sections. Legend: 1 - mound; 2 - outburst; 3 - remains of wood; 4 - stone (sandstone). Fig. 6. Bandyshovka. Remains of stone structures. Legend: 1 - stones at a depth of 20-160 cm; 2 - stones in the ﬁ lling of the burial chamber at a depth of 170-360 cm; 3 - vertically set stones as wall cladding. Fig. 7. Bandyshovka. Arrangement of the burial chamber: 1, 2 - horizontal section; 3 - vertical section. Legend: 1 - stones that were lying horizontally; 2 - stones that were arranged vertically; 3 - charcoals. Fig. 8. Bandyshovka. Findings from the ﬁ lling of the burial chamber and from a predatory manhole: 1-8 - bronze beads; 9 - clay spindle whorl; 10-12 - fragments of the handles and lip of a bronze vessel; 13 - bronze buckle “lunnitsa”.