We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.
These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.
The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.
The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."
The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.
Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
In the 70-ies of the 20th century two medieval monetary and ware hoards were accidentally unearthed. The first treasure was found near Sîngerei town, Sîngerei district and contained four pieces of jewellery and twenty nine coins. The other hoard was discovered at Hîjdieni village, Glodeni district and contained four objects and three coins.
The hoard from Sângerei includes 26 Lithuanian coins: 2 half groshes of Alexander’s I emission of 1495-1501, 6 half groshes of Sigismund II; 16 half groshes and 1 grosh of Sigismund II; a three grosh coin of Sigismund III Wasa. Prussia is represented by a grosh of the time of Albrecht I. Mariengrosh (1553) and a thaler of the time of Rudolf II emitted in 1597 represent Göttingen and Lübeck which were parts of the German Holy Roman Empire. Therefore, the half grosh of Alexander I coined in 1495-1501 is the earliest coin of the Sîngerei treasure. Thaler of the time of Rudolf II emitted in 1597 is the latest of the coins. Judging by that the objects of this hoard may be presumably dated to the end of the 15th -16th c., and the hoard could be dated to the end of the 16th century.
Coins from Hîjdieni village include two leeuwendaalders minted in Utrecht (United Provinces) in 1647 and 1648, and 28 Stubers of Emden town (German Holy Roman Empire) minted during the rule of Friedrich III (1637-1668). The fourth coin is a Lithuanian shilling of the time of Ian Kazimir Wasa (1648-1668) emitted in 1652.
In this period foreign and internal policy of Moldova substantially depended on relations with Turkey and Poland. The war of 1593-1606 in which Moldova was involved lead to destructive devastations which caused anti-Turkish protests. A military conflict of 1648-1654 between Poland and the revolted Cossacks of Bogdan Hmelnitskiy substantially affected the territory of Moldova and lead to its devastation and famine of 1650. These events could possibly be the reason for placing of the two hoards.
Анна Никулицэ
Golden and silver adornment objects discovered at the Aeneolithic and Bronze Age monuments (on the materials from the NMAHM collections
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Ana Niculiță
Regarding two medieval coin hoards from Florești district, Republic of Moldova
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
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31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
