Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable. With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects. The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home. In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present. These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
In this article the author present the dates of family of moldavian boyard Imbault. In the documents from XVIII centuries the name Imbault is orthographies Inmbolt or Imbo. One of the representatives of this family Leon Imbault occupied important positions in Moldova (XVIII- centuries): great paharnic at the court of prince of Moldavia, sub prefect of Soroca district and diplomatic agent at Constantinople. He passed away in 1781, after writing his testament. In the family property it was included: Serauti Estate, parts of Banila on river Ceremus and Rastoace.
Leon Imbault has been married to Adriana Wuzin. Adriana elaborates her testament on 25th of November, 1785 in Cernauti. Neither her husband nor her daughter was alive on that date. Their only daughter Ecaterina married the count Iacob Logothetti. According to funeral inscriptions the count Iacob Logothetti deceased on 10th of October, 1802 and berried in the cemetery of Serauti.
Catherine and the count’s wedded life 6 children were born: Leon (1775-1838), Iosef (1778-1861), Louis (1780- 1861), Franz (1782-1814), Maria și Susanna, two of them Iosef and Franz have been officers in Austrian Imperial Army.
Leon, Franz and Iosef have been berried in the cemetery of Serauti.
Alina Felea
Divorces in Bessarabia in the first half of the 19th century
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Alina Felea
The institution of witnesses in wills in the Principality of Moldavia (the 17th century - beginning of the 19th century
Tyragetia, serie nouă, vol. XIX [XXXIV], nr. 2, Istorie. Muzeologie, Chişinău, 2025
Alina Felea
Voivode/prince between Ideal and Real. Chroniclers’ representations about Tara Moldova (the middle of 17th - the middle of 18th Centuries
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Alina Felea
Some categories of epitaphs in Moldova and neighboring countries in the 17th - early 19th centuries
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Alina Felea
From family history in the Romanian space: Alcoholism and family relations in the 18th century in Moldavia and in the first decades of the 19th century in Bessarabia
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.