We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.
These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.
The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.
The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."
The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.
Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.
The destiny of woman in the history of Moldavia. Myths and realities about Catherine the Circassian – the second wife of the hospodar Vasile Lupu
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
In this study the author came to some specific conclusions. In particular, it is safe to say that the marriage between Vasile Lupu and Catherine was far from accidental. As the sources of the era attest, all the details have been well thought out. Almost immediately after the death of his wife, Vasile Lupu sends the ambassadorial cortege to get his second wife, hence not respecting even the basic mourning traditions. One may also assume that perhaps in that situation government and political interests were high above his emotions. Vasile Lupu was an ambitious, far-sighted politician and a brilliant strategist. His plan was to expand the Moldovan boarders. He prepared his only son Ioan as future ruler of Wallachia. However, his plans failed after the son's death, and he was left without an heir. Vasile Lupu was well aware that he had to urgently resolve the dynastic crisis. He needed a young, strong and healthy wife, able to give birth to his heirs. The choice fell on Catherine the Circassian. How and under which circumstances this choice has been made remains an unsolved mystery. Unfortunately, we do not have any sources that could provide a reliable answer to this question. At the same time, we do not deny the well-known and hackneyed opinion in the historical literature that this marriage took place in a certain political context, for the Moldavian-Tatar mutual support in the political, military and economic spheres.
List of illustrations:
Fig. 1. Vasile Lupu, Catherine and their son Ştefan (Hlincea Monastery).
Fig. 2. Lady Catherine Cercheza (the Circassian), the second wife of Vasile Lupu (fresco in the Golia Church) (by Nicolescu 1970, pl. CXCIIIb).
Fig. 3. Maria Radziwiłł (daughter of Vasile Lupu) and Catherine, wife of Vasile Lupu (fresco in the Church of Trei Ierarhi, Iasi) (by Nicolescu 1970, pl. CCIII).
Fig. 4. Ioan, the son of Vasile Lupu (embroidery from the Church of Trei Ierarhi, Iași) (by Nicolescu 1970, pl. CXXXVIII).
Fig. 5. Lady Tudosca, the first wife of Vasile Lupu (fresco in the Church of the Trei Ierarhi, Iași) (by Nicolescu 1970, pl. CLXXIX).
Fig. 6. The Golia Church.
Lilia Zabolotnaia
Testament of Moldavian princess Maria (Lupu) Radziwill from 1659
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
The bounds of the private in the life of Antiochus Cantemir: Myths, speculations and realness regarding his secret family in Paris
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 2, Istorie. Muzeologie
Лилия Заболотная
Dmitry Lazarevich Tumarkin: Labyrinths of Fate. Pages from the history of the outstanding medical dynasty of the Tumarkins
Tyragetia, serie nouă, vol. XV [XXX], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
The Movileshti and its descendants. Unknown pages
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
The strength and weakness of Alexandra Osipovna Smirnova-Rosset (on the history of the origins of one of the women of the Pushkin era)
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
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31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
