We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.
These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.
The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.
The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."
The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.
Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
Эфталиты. Иконографические материалы
Статья посвящена иконографическим материалам, которые могут иметь отношение к эфталитам, жившим на территории Центральной Азии и соседних стран в IV-VI веках нашей эры. В V-VI веках эфталитам удалось создать великую империю. Следует отметить, что материалы эти очень скудны, и даже датировка часто приблизительна и неточна. Тем не менее, автор попытался интерпретировать имеющиеся данные из различных источников, относящихся к эфталитам, несмотря на то, что некоторые крупные вопросы попрежнему открыты для обсуждения и, вероятно, в ближайшее время останутся таковыми. Список иллюстраций:
Рис. 1. Эфталиты и их соседи в середине VI века н.э. (по Miller 1959). Рис. 2. Печати: 1 - печать Хингилы. Оттиск; 2 - печать и оттиск мужского бюста и бактрийской надписи; 3 - печать и оттиск мужского бюста и бактрийской надписи; 4 - печать и оттиск женского бюста и богомольца; 5 - печать и оттиск мужского бюста и бактрийской надписи; 6 - печать и оттиск мужского бюста и бактрийской надписи (адаптировано из Ставиский 1961; Lerner 1999; Callieri 2002). Рис. 3. Балалык-тепе. Настенная роспись (адаптировано из Брыкина 1999). Рис. 4. Самарканд (Афрасиаб). 1-4 - Настенные росписи (адаптировано из Брыкина 1999). Рис. 5. 1 - Карта древних границ Чанъана с нанесением найденных согдийских могил; 2 - план могилы Ши Джуна (по Junkai 2005). Рис. 6. Могила Ши Джуна. Изображение эфталитского правителя (?) на северной внешней стороне саркофага (по Grenet, Riboud 2003). Рис. 7. Чилекская чаша. Детали. Узбекистан (адаптировано из Cultural 1985). Рис. 8. Чаша из Свата (Британский музей). Детали (адаптировано из Göbl 1967). Рис. 9. Терракоты: 1, 8 - Дальверзин-тепе; 2, 5-7 - Будрач; 3 - Долина Сурхандарьи; 4 - Гиссарская долина (по Il'yasov 2001).
Aydogdy Kurbanov
The hephthalite numismatics
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
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31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
