To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
The printings from Neamț Monastery from XIX centuries in Bessarabia
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Through contribution of hierarchy of Moldova Country Churches as well as abbots of Neamț Monastery, Neamț printing-house printed numerous church books useful for Christians on the whole Romanian area. These can be met and nowadays in Bessarabia churches and are of use for the divine services as they were at the time they were printed. The area of these books circulation is vast enough, but Neamț Monastery becomes one of the most remarkable cultural and spiritual Romanian centres. Priests and parishioners from Bessarabia, though estranged after 1812 by Romanian spirituality will feel the need of religious books and the Neamț Monastery will be one of the principle centres of Romanian culture and spirituality spreading to the East of the Prut. After the return of Bessarabia in Romanian trough after 1918, monks of that monastery would present religious books to Bessarabia and Bucovina, the proof of which are the inscriptions made by the owners of the books preserved up to nowadays. Among the most illustrative books printed at Neamț monastery and which circulated to the East of Prut are the following:
Igor Cereteu
The Transylvanien printings from Basarabia (from the second half of XVIIIth and the first decades of XXth centuries
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Igor Cereteu
Priest Gheorghe Armaşu: victim of the repression of the totalitarian communist system
Tyragetia, serie nouă, vol. XIX [XXXIV], nr. 2, Istorie. Muzeologie, Chişinău, 2025
Igor Cereteu
Pages from the history of the Hâncu Monastery library
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Igor Cereteu
Historic events from the seventeenth and eighteenth centuries attested in notes from manuscripts and old books from the Principality of Moldova
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Igor Cereteu
A manuscript about clergymen of the Nativity Cathedral in Chișinău during 1840-1851
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.