To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
Царский некрополь Ура и конструкция древних колес
На основе анализа данных о конструкции колес из Царского некрополя Ура - фрагменте каменной плитке, мозаичном «Штандарте» и колес повозок из погребений, а также привлечения находок, открытых на других памятниках, автор приходит к выводу, что на Древнем Востоке колеса трехчастной конструкции с серединой линзовидной формы вышли из употре��ления уже до рубежа IV-III тыс. до н.э. Когда у реальных повозок использовались уже трехчастные колеса, у которых средняя часть имела прямые параллельные стороны, колеса с линзовидной серединой продолжали изображать на печатях и посвятительных плитках, копируя их с более древних образцов.
Колеса реальных повозок рубежа IV-III тыс. до н.э., открытые в подкурганных погребениях Понто- Каспийской степи, имели среднюю часть с прямолинейными сторонами, т.е. конструкцию следующего этапа развития конструкции колеса. Поскольку, предположительно, первые колеса были сплошные одночастные и требовалось время на развитие трехчастной конструкции с серединой линзовидной, а затем и прямолинейной формы, появление колеса на Древнем Востоке должно датироваться значительно более ранним временем, чем это принято считать - не позднее начала IV тыс. до н.э.
Рис. 3. Отпечатки колес повозок в погребениях PG 789 (a-b) и PG 1232 (c), Ур (по Woolley 1934, plate 33, 62а). Рис. 4. Изображение повозки в «Реконструкции погребальной сцены в PG 789» (по Woolley 1934, plate 30). Рис. 5. Изображение повозки в верхнем регистре «Штандарта».
Рис. 6. Изображения повозок в нижнем регистре «Штандарта» (первая и вторая слева) Рис. 7. Изображение повозки в нижнем регистре «Штандарта» (третья слева)
Рис. 8. Колесо, Сузы (по Littauer, Crouwel 1979, fig. 5).
Рис. 9. Колесо, Мари (по Butterlin, Margueron 2006, fig. 3).
Рис. 10. Изображения колес (фрагменты мозаики), Мари (а - по Parrot 1971, fig. 10), (b-f - по Parrot 1967, pl. LXV/2462-2464; fig. 262/2465, 2598; 2466).
Рис. 12. Глиняные модели колес: a-b - Телль Брак (по Oates et al. 2001, fig. 488/36, 39), c - Чагар Базар (по Mallowan 1936, fig. 6/8); d - Телль Халава А (по Neufang, Pruβ 1994, Abb. 52/114). a - д=4 cm; b - д=7,1 cm; c - д=3,5 cm; d - д=10,5 cm
Рис. 13. Оттиск цилиндрической печати. Ур (по Amiet 1980, pl. 96/1260).
Рис. 14. Оттиск цилиндрической печати. Ур (по Amiet 1980, pl. 92/1216).
Рис. 15. Оттиск цилиндрической печати. Месопотамия (по Amiet 1980, pl. 92/1215).
Рис. 16. Оттиск цилиндрической печати (деталь). Месопотамия (по Littauer, Crouwel 1979, fig. 13).
Рис. 17. Чертеж отливки повозки из погребения новотитаровской культуры, Прикубанье (по Анфимов 1986).
Рис. 18. Остатки повозки в погребении новотитаровской культуры. Прикубанье (из архива И.И. Марченко и Н.Ю. Лимберис).
Елена Избицер
Wagon burials in pits of the Middle Bronze Age in the Don River basin
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To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
