Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable. With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects. The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home. In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present. These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.
Toward the definition of the Edinets archaeological group
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
The Prut-Dniester area was a contact zone of various genetically unrelated archaeological cultures of Eastern, Central and South Eastern Europe in the early Bronze Age. One of these was the Edinets group which was first identified in 1972, and which has been considered a separate archaeological entity since 1974. Notwithstanding several decades of research the history of this group remains at best obscure.
The group is safely localised in a compact area on the left bank of the Middle Prut on a forest-steppe plateau, and is primarily represented by funerary monuments – burial grounds and a kurgan - which are few in number. The burials are characterised by a complex funerary rite: both inhumation and cremation are attested, and the usage of a large amount of stones for construction of burial pits is worthy of note. The inventory found in the funerary complexes varies; the most representative is a collection of two-handle bowls.
The study of the artefacts revealed by several years of excavations at Izvorul lui Luca, on a multi-layer settlement near the village of Trinca, allowed to segment a collection of ceramics and equipment, which, as the results of its morphological and technological analysis shows, belongs to the Edinets group. This observation points to a possibility of locating here a settlement of the Edinets group as well. It is worth noting the unique find of a two-handle bowl analogous to that of the Edinets culture at the edge of a kurgan near the village of Burlănești.
The emergence of the Edinets archaeological monuments is due to a migration of a small group of people from the West, i.e. the Carpatian/Danubian area. Both in the funerary rite and in various categories of equipment it shows close affinities with certain archaeological groups of the Carpatian basin. The stratigraphy suggests a dating back to the end of the III – first quarter of the II millennium BC.
Татьяна И. Демченко
Kurgans on the left bank of the Middle Prut (excavations of 1982 and 1984)
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică
Татьяна И. Демченко
Monuments of the Corjeuți type within the context of the Early Bronze Age History of Eastern and Central Europe
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
