The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet." Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.
The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."
The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.
This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.
Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.
The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.
• Nicolae Răileanu, Din istoria Muzeelor Moldovei. Muzeul de Antichități al Nataliei Sicard din Vadul lui Vodă • Grigore Jitaru, Blazoanele dinastice și stema de stat a Moldovei • Vlad D. Ghimpu, Biserica Adormirii Maicii Domnului de la mănăstirea Căpriana • Vasile Negruță, Dan Suruceanu, Creația Zugravului Gherasim șl sculptorului D. Ştefan la răscrucea secolelor XVIII-XIX • Vasile Haheu, Cetățile traco-geto-daclce și elemente de urbanizare la tracii de nord • Alexandru Levinschi, Atelierele de ceramică de la Soloncenl și unele probleme privind olăritul la purtătorii culturii Sântana da Mureș-Cerneahov
II. Arheologie și Istorie veche
• Ilie Borziac, Philip Allsworth, Nicolae Chetraru, Cercetări interdisciplinare în grotele paleolitice din Nord-Vestul Moldovei • Serghei Covalenco, Nicolae Chetraru, Așezarea mezolltlcâ de la Sărăteni • Oleg Levițki, Tatiana Demcenco, Tumuli din epoca fierului timpuriu de lângă satul Cotiujeni • Serghei Agulnlcov, Cociulia - Cetățuie în codrii Tighecilor • Natalia Mateevici, Piese arheologice provenite din colecția lui Ion Surucean • Ilie Borziac, Alexei Zagaievschi, Cele mai vechi file din istoria satului Cosăuți
III. Istorie medievală
• Ion Hâncu, Rezultatele cercetărilor arheologice de la biserica cu pronaosul lărgit din Orheiul Vechi • Pavel Bârnea, Despre soarta istorică a Orheiului Vechi • Petre Beșliu, Contribuția universității săsești la consolidarea sistemului de fortificații din defileul Oltului • Ana Boldureanu, Vera Paiul, Tezaurul monetar de la Gârbova • Mihai Onilă, Eparhia Chișinăului și Hotinului (180 ani de la organizare)
IV . Istorie modernă și contemporană
• Măria Hasnaș, Cazimireștii în Basarabia. Ramura din Hotin • Aurelia Cornețchi, Contribuții ta istoria Liceului de fete din Cetatea Albă • Тамара Синхани, Из истории иконописания в Ново-Нямецком монастыре • Ирина Гончарова, Сканные сумочки • Liubovi Malahov, Colecția presei periodice din sec. XIX – începutul sec. XX • Vitalie Juc, Valentin Tomuleț, Schiță din istoria satului Tabani • Tamara Stamatov, Tehnici vechi românești de cusut în ornamentarea cămașelor femeiești • Elvira Vacula, Societatea Națională de Cruce Roșie din Basarabia. Anii 1920-1930 • Nadejda Lavric, Din istoria documentelor puse în circulație în Basarabia interbelică • Elena Postică, Deputații Sfatului Ţării represați în anul 1940 • Людмила Пасиковская, О раскулачивании и выселении в MACCP в 1930-1931
V. Muzeologie si memorialistică
• Elena Ploșnița, Unele aspecte din activitatea muzeografică a lui Nicolae Iorga • Eugenia Borodac, Nicolae Dimo - savant cu renume în pedologie • Любовь Репринцева, Судьба ученого Г.И. Пысларь • Мария Евдокимова, Михаил Паутынский – ученый винодел и химик
VI. Recenzii
• Tudor Arnăut, Arheologul G.D. Smirnov și unele probleme de concepție privind mil. I î.e.n. • Igor Cereteu, Sergiu Tabuncic. Şoldăneșii - localitate străveche din valea Ciornei • Николай Тельнов, Nicolae Chetraru. Din istoria arheologiei Moldovei. Basarabia și Transnistria
The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
