German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design. The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style. The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition. It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV. The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.
The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.
These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
This article presents some information regarding the relationship of Bessarabian nobleman Vasile Stroescu and Romanians of Bihor County (Romania). These relations are highlighted by a series of unpublished documentary evidences from the Oradea archives. Vasile Stroescu constantly supported cultural institutions on both sides of the Carpathians. Thanks to his donations for the Transylvanian Orthodox clergy between 1910 and 1913, in the amount of about one million crowns, there were saved from Magyarization about two hundred schools and over one hundred and thirty Romanian churches.
List of Annexes: Annex 1. List of the students from the town of Beiuș (Bihor County), who received Stroescu’s scholarships in 1912-1914. Annex 2/1a. The Bishop of Arad Ioan Ignatie Papp notifies the Orthodox Consistory of Oradea Mare, which was under his jurisdiction, about the donation offered by a Bessarabian nobleman Vasile Stroescu. Annex 2/1b. Of the amounts donated by Vasile Stroescu, the Diocese of Arad received 64, 945 crowns and 80 fillér. Of the funds allocated to the Diocese, the Orthodox Consistory of Oradea Mare obtained 25, 978 crowns and 32 fillér. Annex 2/2a. Metropolitan Ioan Mețianu informs the Orthodox Consistory of Oradea Mare about the results of the distribution of funds allocated for the Diocese of Arad. Annex 2/2b. The Metropolitanate of Transylvania, with the residence in Sibiu, requires from the Orthodox Consistory of Oradea Mare the report on the distribution and use of the amounts allocated from the fund of the Diocese of Arad. Annex 2/3. Archpriest of the village of Peșteș asks the Orthodox Consistory of Oradea Mare to allocate 1,000 crowns from the donation made by Bessarabian nobleman Vasile Stroescu to build a school in the village of Butan-Măgești.
Mihail Iliev
The Society for the Protection of War Orphans. The Chișinău Regional Committee (1918-1924)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.