#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

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Publications

Library „Tyragetia"

Simion CARP, Ghenadie CHIRIŢA, Terentie CARP, Ecaterina GÎRBU

Military traditions (past, present, future)

Series Biblioteca „Tyragetia” XXII, Chișinău, 2013, 375 p. ISBN 978-9975-80-703-6.

The authors of the volume Military Traditions (past, present, future) set as main aim to collect, to select, to arrange, to analyze, to highlight and to synthesize, as much as possible, all documentary resources and to include in the scientific circuit the military traditions, the military deeds, the military art, the actions of bravery, courage and spirit of sacrifice shown by our predecessors on the battlefields for the soldierly glory and honor.

The work, as conceived by the authors, covers the main aspects of military tradition issues. Its primary objective is to introduce into the scientific, educational, didactic and cultural circuit the old military traditions, and to synthesize and rebuild, on their base, a contemporary fight style absolutely necessary to the military-patriotic orientation of young generation and for the creation of a new national school of close fight.

The military history of predecessors was rebuilt on a rich documentary material identified in various categories of resources (written, ancient and medieval resources, bas-reliefs, wall painting etc.) collected with big competence and which highlight real possibilities for the use of soldierly glory for patriotic education of students and future defenders of the fatherland.

The publication presents studies in fields of history, culture, traditions, military art, pedagogy with well argued conclusions and synthesis, with highlighted concepts framing into the national ideas - a very important thing for our fellow citizens from the republic and from abroad. In the book are depicted certain events, wars, military conflicts which do not feature in history textbooks, by presentation of new archival data, war letters, list of Bessarabians participants at wars from the end of 19th - beginning of 20th centuries and of notorious personalities that contributed to the evolution of history and national and universal culture. Also, are described and analyzed military traditions and war tactics that were included in the history of universal military art. The portrait of our fellow citizen with his positive traits is presented into a special plastic paradigm.