#Exhibit of the Month

The bronze hoard was discovered on the territory of Mîndrești village, Telenești district, in 1968. It was identified accidentally by a group of students from the village school, and the materials later came to the attention of specialists at the Institute of History of the Academy of Sciences. According to documentary records, the hoard was composed of ten pieces: four socketed axes (celts), a dagger fragment, a sword fragment, a sickle, a winged axe, an adze-axe, and a chain consisting of four links.
Currently, of the mentioned assemblage, six objects are preserved in the collections of the National Museum of History of Moldova: two socketed axes (celts), the winged axe, the adze-axe, the dagger fragment, and the chain made of four links.- Socketed axe (celt) with one loop. Dimensions: Length - 10.2 cm; Weight - 186 g.
- Socketed axe (celt) with one frontal loop. Dimensions: Length - 8.4 cm; Width: 33-46 mm; Weight - 124 g.
- Winged axe. Dimensions: Length - 14.0 cm; Width - 2.5-3.4 cm; Weight - 285 g.
- Adze-axe. Dimensions: Length - 14.8 cm; Width - 2.3-5.0 cm; Weight - 286 g.
- Dagger fragment. Dimensions: Length - 16.5 cm; Blade length - 9.8 cm; Blade width - 2.8 cm; Weight - 81 g.
- Chain formed of four links. Dimensions: Length - 17.1 cm; Link diameter - 3.8; Weight - 32 g.The bronze hoard of Mîndrești is important due to the association of objects that find analogies in the regional repertoire with pieces that show clear analogies in Central Europe and the Carpathian Basin. The assemblage reflects a zone of contact and interaction where metallic forms of different origins and traditions circulated and were integrated into the repertoire of local communities.
Chronologically, the bronze hoard of Mîndrești is attributed to the Early Hallstatt period - HaA1, being dated to 1200-1100 BC.

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Publications

Library „Tyragetia"

Elena Ploșnița

Museum. Traditionalism and modernity

Biblioteca „Tyragetia” XXXVII, Chișinău, 2022, 210 p. ISBN 978-9975-80-903-0; 978-9975-166-26-3.

The book "Museum. Traditionalism and modernity" is a theoretical reflection on what is a museum institution between traditionalism and modernity. Specific topics that draw up the museum between tradition and modernity are considered. The systematization and analysis of the latest achievements in Moldavian museography has been carried out. Both traditional and innovative processes in the evolution of the contemporary museum as a public institution are traced.

The work is focused on the problems of museums in the Republic of Moldova, the evolution of these institutions over the past 30 years in the dimension between traditionalism and modernity. The main milestones of this evolution are indicated, with many meanings, contradictions, and changes that mark it. In order to present a complete picture of the issue, a systematization and analysis of the latest achievements in Moldavian museography in three specific areas is given, taking into account the specifics of the functioning of a museum: collections, exposition, communication. The book may be of interest to specialists, since for the first time it approaches, in a comprehensive way, the problems of traditionalism and modernity in the museum system of the Republic of Moldova.

The monograph comes as an argument in support of the motivations for reforming and modernizing the traditional museums in the Republic of Moldova, and we hope that it will help museum professionals in the process of internal and external reforming and modernization of the institution. The contemporary museum in the Republic of Moldova remains a traditional one, designed even today as an ordinary institution, but it can become modern only through reform and reorganization, formulating a clear mission and specific goals, through efficient management of collections, by attracting visitors, by developing and implementing national and international projects.

Contents

Preface

1. MUSEUM COLLECTIONS: THEORETICAL AND PRACTICAL ASPECTS

1.1. Museum collections management coordinates
1.2. Scientific records for museum cultural values
1.3. Research and classification of museum collections
1.4. Digitization of museum collections
1.5. Nominal assessment of museum cultural heritage

2. MUSEUM EXHIBITION: APPROACHES

2.1. The concept of museum exhibition
2.2. Typology and methods of organizing a museum exhibition
2.3. Permanent exhibition - a traditional necessity or a modern bagatelle?
2.4. Museum exhibition and information technologies

3. MUSEUM AUDIENCES: COMMUNICATION AND EDUCATION

3.1. Public relations/museum's relationship with the public
3.2. Traditional and modern museum communication
3.3. Education in a modern museum
3.4. Knowing visitors is a modern imperative

CONCLUSIONS

Bibliography
List of abbreviations
Summary (in English)
Summary
Annexes
Index of names
Index of museums