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National Museum of History of Moldova
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#Exhibit of the Month

The hoard was found in 1957 during the agricultural works near the village. At first, the hoard was in the collection of the National Museum of Ethnography and Natural History and later was transferred to the National Museum of History (Accession: FB: 12 576 - 12650; N: 12 658 - 12 732). It consists of 75 silver coins from the thaler category issued by the Kingdom of Poland, the United Provinces and the Holy Roman Empire in 1612-1648.

THE KINGDOM OF POLAND
Sigismund II Vasa (1586-1632)
Crown, thaler: 1628 (1).
Gdańsk, orts: 1612 (1), 1613 (1*), 1614 (1), 1615 (7), 1616 (8), 1617 (16), 1618 (4), 1619 (2), 161 (1), 1620 (2), 1621 (8).

THE UNITED PROVINCES OF THE NETHERLANDS
Lion thalers (leeuwendaalder)
Gelderland: 1641 (1), 1647 (2), 1649 (1).
West Frisia: 1648 (1).
Utrecht: 1643 (1), 1646 (1), 1647 (2), 1648 (1).

THE HOLY ROMAN EMPIRE
Kampen: halve leeuwendaalder 1646 (1), 1647 (1); leeuwendaalder 1647 (3), 1649 (1).
Zwolle: leeuwendaalder 1633 (1), 1637 (3), 1644 (1), 1646 (2), 1648 (1).

This hoard by its composition confirms the presence of silver coins from the thaler category in the Principality of Moldavia monetary circulation.

Thalers were first minted in 1486 in Sankt-Joachimsthal, today the Czech Republic, "thaler" being an abbreviation of "Joachimsthaler", meaning coin issued in Sankt-Joachimsthal. In the 16th and 17th centuries, thalers were issued in very large quantities, especially by state entities that were part of the Holy Roman Empire and the Habsburg Empire. Thus, thalers can be considered a quintessentially popular coin; there are thalers of several types, such as Austrian thalers, Polish thalers, Russian thalers, Turkish thalers, Venetian thalers, also called scuzi, "reichsthalers", also called imperials, löwenthalers or lion thalers, and Spanish thalers, also called piastre. In the Romanian principalities, thalers spread widely towards the end of the 16th century, and in the following centuries their circulation became very abundant, the thaler being in circulation until the second half of the 19th century. This money was a huge success, so it is also called: daalder / daler in the Netherlands, talar in Poland, dahlar in Scandinavia, tallaro / tallero in Italy, talari in Ethiopia, dollar in America. A special category is the Dutch thaler, leeuwendaalder, löwenthaler, which means "lion thaler", also called "lion" due to the coat of arms on the reverse, which is a shield with a crown, with a lion inside; it is a silver coin minted in Netherlands, where in 1575 it was decided to mint a new coin based on the scuzi. In the Romanian principalities the lion thaler appears in the last quarter of the 16th century. These lion thaler gave the name to the currency of Romania, the Republic of Moldova (leu), and Bulgaria (leva).

Orts are also silver coins from the thaler category, equal to 1/4 thaler. A quarter thaler was originally called "ortstaler", a name that was later reduced to the form "ort" (in Old German "ort" means "a quarter"). The coin circulated in Europe in the Middle Ages, including the Romanian principalities, being met in the 18th century as Polish, Turkish and German orts. The term "ort" is preserved in the Romanian expression "to give an ort to a priest" (which means "to die"), which dates back to the ancient pagan custom of placing a coin on the little finger of the deceased's right hand so that he could pay for the passage to the afterlife; With the same coin, the priest was paid for the funeral service: the family of the deceased "gave an ort to the priest" to observe church traditions.

 
National Museum of History of Moldova
 

Exhibitions

„FEEL HARMONY”

December 03-20, 2020

We invite art connoisseurs to experience the harmony of various artistic media at the conceptual exhibition of the artist Valeria Barbas "Feel Harmony". From October to November, in dangerous conditions, the artist captured the space of the S. Lunkevich National Philharmonic Hall after the fire by means of photo, video and audio filming. Within the framework of this suggestive exhibition, the artist presents to the attention of visitors not only a kind of documentary archive of photographs and the author's film, but also artistic conceptualization through various audiovisual media - painting, art object, video art installation, sound.

"What is harmony? How to achieve it? Maybe we should learn to feel, see and hear it in the simplest things? In the turmoil of 2020, which brought significant changes that we all felt, in a pandemic, it is becoming increasingly difficult to find harmony, inner balance. COVID 19 seriously affected the cultural sphere in the Republic of Moldova, but apart from the empty and sometimes closed exhibition and concert halls, another catastrophe struck the heart of Chisinau - the fire in the S. Lunkevich National Philharmonic Hall. Since childhood, I have often attended the Philharmonic, there was practically no year when I had not attended concerts of the Mărțișor festival, the Days of New Music, the Ethno-Jazz. My symphonic poem "Genesis" was first performed on the stage of the Philharmonic Hall, in the same place in 2008 my personal exhibition took place, which marked the beginning of painting exhibitions. This fall, I watched the Philharmonic space transforming from day to day. With regret, but also with a desire to save at least something, I participated in the selection of scores that survived the fire. From documenting to rethinking some of the items that became artifacts for me, I tried to breathe new life into what was practically ash yesterday. Harmony is born from the ashes. You just need to feel it" - Valeria Barbas, doctor of art history, artist.

The exhibition presents the results of documenting / archiving / conceptualizing the space of the S. Lunkevich National Philharmonic Hall , carried out by the artist V. Barbas after the fire for two months in conditions of risk: from photography and documentary films to rethinking space through other media such as painting / art object / video art installation / sound.

You are wellcome!



 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age

  
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#Exhibit of the Month

The hoard was found in 1957 during the agricultural works near the village. At first, the hoard was in the collection of the National Museum of Ethnography and Natural History and later was transferred to the National Museum of History (Accession: FB: 12 576 - 12650; N: 12 658 - 12 732). It consists of 75 silver coins from the thaler category issued by the Kingdom of Poland, the United Provinces and the Holy Roman Empire in 1612-1648...

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