#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

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Exhibitions

„One century of Riga’s history: from 1914 until 2014”

Organized by the Embassy of Latvia in the Republic of Moldova at the initiative of the Ministry of Foreign Affairs of Latvia

October 5th-20th, 2016

The goal of the exhibition is, alongside important events in Europe, to reflect the events of the same time period in Riga; by means of various pictures and their combinations, to touch upon the themes of war and freedom as well as the outstanding personalities of the time, with the aim of showing the various, open, and multi-faceted Riga. The exhibition is formed and reflected by juxtapositions of various tendencies; fashion, architecture, design, music and other spheres and events of culture.

Motto of the exhibition: "The Phoenix of Riga"
Riga is similar to the Phoenix in Ancient Greek mythology - the bird that after burning has always been able to resurrect from ashes. Over one century, Riga has seen seven changes of the ruling power:
- Tsarist Russia;
- the German Kaiser;
- "red" Soviet Latvia and "white" Republic of Latvia;
- USSR occupation and Nazi Third Reich;
- Soviet occupation again
- up to the restoration of an independent Republic of Latvia.

Riga saw the evacuation of its factories in 1915, which diminished its population by a half; it saw the attacks of the Bermondt army, which left the quay of the river Daugava in ruins. The agrarian reform in the 1920s gave the city land property and made it possible to dream about the construction of an enlarged city with one million inhabitants. The devastation of Old Riga in 1941 was followed by restoration after the war, the city expanded into the former pastures and kitchen gardens, building new residential areas. The present-day Riga is proud of its cultural heritage.

The exhibition shows the impact of a series of events, which have taken place in Europe of the 20th century, over the history of Latvians, the impact that has resulted in the loss of independence of the Republic of Latvia. The major events - the wars and revolutions - are illustrated by panels with black-and-white and red fragments of historical photographs. The removal of ruins and the new construction to start everything from scratch is illustrated by the history of two nodal points - the City Hall Square and the Citadel. City scenes will be supplemented with information on everyday life: how the ordinary Rigan lived, what he ate, how he worked and recreated himself...

The pictures will show the flourishing Riga after World War I, the burning Riga in 1941, Soviet Riga, the Barricade Time and the 20 years of restored independence. We will stress Riga's ability to always resurrect as the Phoenix from ashes.