#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle.
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services.
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right.
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord.

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

Virtual Tour

Exhibitions

„One century of Riga’s history: from 1914 until 2014”

Organized by the Embassy of Latvia in the Republic of Moldova at the initiative of the Ministry of Foreign Affairs of Latvia

October 5th-20th, 2016

The goal of the exhibition is, alongside important events in Europe, to reflect the events of the same time period in Riga; by means of various pictures and their combinations, to touch upon the themes of war and freedom as well as the outstanding personalities of the time, with the aim of showing the various, open, and multi-faceted Riga. The exhibition is formed and reflected by juxtapositions of various tendencies; fashion, architecture, design, music and other spheres and events of culture.

Motto of the exhibition: "The Phoenix of Riga"
Riga is similar to the Phoenix in Ancient Greek mythology - the bird that after burning has always been able to resurrect from ashes. Over one century, Riga has seen seven changes of the ruling power:
- Tsarist Russia;
- the German Kaiser;
- "red" Soviet Latvia and "white" Republic of Latvia;
- USSR occupation and Nazi Third Reich;
- Soviet occupation again
- up to the restoration of an independent Republic of Latvia.

Riga saw the evacuation of its factories in 1915, which diminished its population by a half; it saw the attacks of the Bermondt army, which left the quay of the river Daugava in ruins. The agrarian reform in the 1920s gave the city land property and made it possible to dream about the construction of an enlarged city with one million inhabitants. The devastation of Old Riga in 1941 was followed by restoration after the war, the city expanded into the former pastures and kitchen gardens, building new residential areas. The present-day Riga is proud of its cultural heritage.

The exhibition shows the impact of a series of events, which have taken place in Europe of the 20th century, over the history of Latvians, the impact that has resulted in the loss of independence of the Republic of Latvia. The major events - the wars and revolutions - are illustrated by panels with black-and-white and red fragments of historical photographs. The removal of ruins and the new construction to start everything from scratch is illustrated by the history of two nodal points - the City Hall Square and the Citadel. City scenes will be supplemented with information on everyday life: how the ordinary Rigan lived, what he ate, how he worked and recreated himself...

The pictures will show the flourishing Riga after World War I, the burning Riga in 1941, Soviet Riga, the Barricade Time and the 20 years of restored independence. We will stress Riga's ability to always resurrect as the Phoenix from ashes.