#Exhibit of the Month

The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm.
The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s.
The piece was restored by Mihail Culașco, Restoration Department of NMHM.
Brief History of the Camera
The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality.
The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia.
The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.

Virtual Tour

March 2021

THE GOSPEL of 1855

The lack of Romanian-language religious books in Bessarabia under the rule of the Russian Empire forced the church authorities in Chişinău to order the resumption of their printing. After a period of crisis, through which the printing activity within the Diocese of Chişinău and Khotin had passed, in 1853 it was revived. At the suggestion of Bishop Irynarch Popov, the Economic Directorate of the Bishops' House ordered the purchase of new equipment (fonts of different sizes) for the printing house, ink, paper, and also the staff was increased. A boom in the publishing work of the printing house follows, which was accompanied by many publications.

The Gospel in Romanian, published in 1855, was the third work printed at the Diocesan Printing House reopened in 1853. The two-year delay in publishing the book was caused by a problem with the quality of paper required for editorial printing. In particular, its lack also influenced the circulation of the book, which was published in only 603 copies (initially it was supposed to publish 1000 copies). The Gospel of Buda produced in 1812 served as an original for the printing of the 1855 Gospel of Chişinău.

The first two pages from the beginning of the Gospel, to be sent to the owner of paper in Warsaw, were typed and printed on June 29, 1853. The fonts for printing were purchased, and an engraving "St. John the Theologian" was printed on the second page (reverse side). The printed sample was sent to a Polish merchant, and on January 1, 1855, an employment contract was concluded with Valiko Sobelman, who undertook to bind the books at a price of 80 kopecks in silver each.

Some copies of the 1855 edition of the Gospel were later clad in silver, which confirms the sacred significance of the book, as well as its essential role in worship.

The National Museum of History of Moldova possesses three copies of the Gospel printed in Chişinău in 1855, which were examined by the late Dr. Maria Danilov. The volume on display is an exceptional one and differs from the other copies in its silver cover. The legs, the corner metal plates with engraved images of the Evangelists, and the central medallion depicting the Crucifixion of Christ bear the mark of the assayer, the mark of silver fineness 84 zolotnik, and the image of an oak on the shield. As a result of the research, it was found that the cover was made by a local craftsman, and the image of the "oak on a shield", which was the coat of arms of the Orhei uyezd, suggests that the cover was made in a local workshop, the existence of which in the middle of the 19th century is confirmed in the literature.

The religious books printed in Chişinău in the second half of the 19th century, stored in the collections of the National Museum of History of Moldova, give a special significance to book printing and the art of book design, which lies in the continuity of the spiritual tradition of the Romanian people of Bessarabia of the 19th century.

#Exhibit of the Month

Folding bellows camera, “Agfa Isolar Luxus”. AGFA Company, Munich, Germany, 1928

March 2021

THE GOSPEL of 1855

#Exhibit of the Month