Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable. With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects. The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home. In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present. These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.
A woman from Dănceni, or bow fibulae of Werner's class II C
Joachim Werner’s changing views on the so-called “Slavic” bow fibulae of his class II C have long influenced the views of archaeologists working on the early Middle Ages in East Central and Eastern Europe. A fresh look at the much enlarged corpus of evidence was therefore much needed. The near-neighbor clustering analysis of all whole specimens of Werner’s class II C reveals some interesting observations. First, very few II C fibulae found on neighboring sites are also alike, and that only in the Middle Dnieper region. More often than not, very similar specimens have been found at a long distance from each other, e.g., in Crimea, the Middle Dnieper region, or in the Carpathian Basin. Except the pair of fibulae from Dănceni, almost identical specimens are only known from assemblages in Left Bank Ukraine. A thorough examination of the archaeological context in which some of the II C fibulae have been found shows that the earliest specimens are those from Caričin Grad and Carevec, mainly because of their association with cast fibulae with bent stem, otherwise dated to the second half of, or the late sixth century. No fibulae are known which could be firmly dated later than the first half of the seventh century, which suggests that Werner’s class II C may have been in fashion shortly before and after AD 600. In Crimea, such fibulae often appear in combination with specimens of Werner’s class II D, a combination also attested in hoards of bronze and silver from the Middle Dnieper region. In burial assemblages from both that region and from Crimea, pairs of fibulae were sometimes connected with a necklace of glass beads and pendants, a fashion of north European, possibly Scandinavian origin. Trasological studies of fibulae found in the Middle Dnieper region showed that they were produced locally, even though to this date no mould is known from that region. In the Carpathian Basin, fibulae of Werner’s class II C were worn singly, but contrary to Werner’s own opinion, there is nothing “Slavic” about that fashion. The pair of fibulae from Dănceni represents a clear reference to the fashions sported by elites in the Middle Dnieper region, whom local elites in late sixth- or early seventh-century Moldova wanted to emulate.
List of illustrations: Fig. 1. Grave 280 in Dănceni: bow fibulae, bracelet, handmade pottery, and glass beads (after Рафалович 1986). Fig. 2. Werner’s class II C, brooch design parts: head-plates (1 A-G) and foot-plates (2 A-G). Fig. 3. Werner’s class II C, brooch design parts: foot-plates (2 H-l), terminal lobes (3 A-T), bow (4 A-K), and knobs (5 A-C). Fig. 4. Near-neighbor cluster analysis of 46 bow fibulae of Werner’s class II C. Fig. 5. Fibulae of Werner’s class II C. Numbers refer to the list of finds in the appendix (drawn after Teodor 1992; Корзухина 1996). Fig. 6. Fibulae of Werner’s class II C. Numbers refer to the list of finds in the appendix (drawn after Teodor 1992; Айбабин, Юрочкин 1995; Корзухина 1996; Nagy 1998). Fig. 7. Fibulae of Werner’s class II C. Numbers refer to the list of finds in the appendix (drawn after Sós 1963; Teodor 1992; Haralambieva 1993; Корзухина 1996. Photos after Кропоткин 1965; Ерцеговић-Павловић, Костић 1988). Fig. 8. Fibulae of Werner’s class II C. Numbers refer to the list of finds in the appendix (drawn by the author (14) and after Айбабин 1990; Корзухина 1996; Гавритухин, Приймак 2001-2002). Fig. 9. Fibulae of Werner’s class II C. Numbers refer to the list of finds in the appendix (drawn after Корзухина 1996; Ппиходнюк 1998. Photos after Маленко 1985; Корзухина 1996). Fig. 10. Fibulae of Werner’s class II C. Numbers refer to the list of finds in the appendix (drawings and photos after Корзухина 1996). Fig. 11. Fibulae of Werner’s class II C. Numbers refer to the list of finds in the appendix (drawn after Айбабин 1993; Корзухина 1996; Аксенов, Бабенко 1998; Седин 2000; Aibabin, Khairedinova 2009). Fig. 12. Fibulae of Werner’s class II C. Numbers refer to the list of finds in the appendix (drawn after Корзухина 1996; Седин 2000. Photo after Kühn 1981). Fig. 13. Fibulae of Werner’s class II C. Numbers refer to the list of finds in the appendix (drawings after Корзухина 1996). Fig. 14. Fibulae of Werner’s class II C. Numbers refer to the list of finds in the appendix (drawn by the author (40) and after Корзухина 1996). Fig. 15. Fibulae of Werner’s class II C. Numbers refer to the list of finds in the appendix (drawn after Werner 1950; Корзухина 1996; Nagy 1998. Photo after Csallány 1961). Fig. 16. Fibulae of Werner’s class II C. Numbers refer to the list of finds in the appendix (drawn after Калитинскйи 1928, Корзухина 1996; Воронцов 2003. Photos after Рыбаков 1953; Шаблавина 2004). Fig. 17. Fibulae of Werner’s class II C. Numbers refer to the list of finds in the appendix (drawn by the author (11) and after Калитинский 1928; Корзухина 1996; Garam 2004). Fig. 18. Plotting of the nearest-neighbor similarity of 46 fibulae of Werner’s class II C. Diminishing line thickness indicates the decreasing number of shared neighbors from 6 (thickest) to 3 (thinnest). Fig. 19. The distribution of fibulae of Werner’s class II C in Eastern Europe. Numbers refer to the list of finds in the appendix. Fig. 20. The Koloskovo hoard, selected artifacts: fibula with bent stem, belt mount, lance head, belt buckle, bow fibula, double-spiral eyeglass-shaped pendant, torc, and bracelet (after Корзухина 1996). Fig. 21. The Kozievka hoard, selected artifacts: bow fibulae, belt mounts and buckle, strap ends, fragmentary fibula with bent stem, double-spiral eyeglass-shaped pendant, hat-shaped pendant (after Корзухина 1996). Fig. 22. Luchistoe, burial chamber 38, grave goods associated with skeleton 9: bow fibulae, beads, pendants, buckle, and belt mounts (after Aibabin, Khairedinova 2009). Fig. 23. Chufut Kale, burial chamber 98: fragment of bow fibula and belt mounts (after Кропоткин 1965). Fig. 24. Suuk Su, grave 28 with associated bow fibulae (after Репников 1906; Корзухина 1996). Fig. 25. Eski Kermen, burial chamber 257, grave goods associated with skeleton 6: bow fibulae, cross and eagle- headed buckle (after Айбабин 1982). Fig. 26. Csákbéreny, grave 349: bow fibula, bone tube, glass beads, iron chain, circular mount, and iron ring (after Vida 1995). Fig. 27. Budapest-Pannonhalmi Street 2, grave 2: bow fibula, belt buckle, earring, and glass beads (after Nagy 1998). Fig. 28. Tiszabura, inhumation: earrings, knife, bow fibula, and beads (after Csallány 1961). Fig. 29. Szigetszentmiklós-Haros, grave 14: earrings, lancet, mounts, knife, bow fibula, chain, beads, buckle, and bracelets (after Nagy 1998). Fig. 30. Bakla, burial chamber 11, grave goods associated with the female skeleton: fibulae and buckle (after Айбабин, Юрочкин 1995). Fig. 31. Balakliia, inhumation: bow fibulae and bracelet (after Корзухина 1996). Fig. 32. The Nova Odessa hoard, selected artifacts: beads, bow fibula, lead mount, repoussé copper-alloy pendant, square pendant, bell-shaped pendant, chain (after Корзухина 1996). Fig. 33. Mokhnach, inhumation: fibula with bent stem, repoussé copper-alloy pendant, bracelet, ear(or lock-)ring with twisted end, bow fibula, finger-ring, circular mount, bell-shaped pendant, and fragment of a diadem (after Аксенов, Бабенко 1998). Fig. 34. Mena, stray find: bow fibula and bracelet (after Корзухина 1996).
Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.