The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
Abstract: In this article based on the study of archival sources and monographs the author considers some aspects of the influence of the tsarist legislation on the changes in the legal status of the Bessarabian nobility. After the annexation of the territory between the Dniester and the Prut to the Russian Empire, at first the tsarist government maintained the social categories existing in Bessarabia, and the relationships were regulated by the laws and customs of the Principality of Moldavia. Subsequently, Bessarabia was incorporated into the political and socio-economic system of the empire. Thus, the use of the tsarist laws on the territory of the region has led to changes in the status of the Bessarabian nobility. Despite the fact that the Bessarabian nobility had the same rights and have been included in the Russian nobility keeping the former privileges, in reality they, especially the indigenous nobility, were limited in their rights. Chief administrative positions in Bessarabia were given to foreign nobles and officials or those members of the local nobility, who were loyal to the tsarist policy. All this has led to dissociation (due to the introduction of foreign representatives into the ranks of the local gentry) and humiliation (because the nobles had to constantly prove their social status - a rather complicated process due to the lack of supporting documents for those who had the Moldavian noble rank or possessed property) of this social category.
Valentin Tomuleț, Cristina Gherasim
Some considerations on factors that generated mentality shifts of the landlords in Bessarabia under tsarist domination (1812-1817)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Cristina Gherasim
Aspects of teaching children of the Bessarabian nobility within the educational system of the Russian Empire
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Cristina Gherasim
L’identité sociale au milieu de la noblesse de la Bessarabie dans le XIX-ème siècle
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Cristina Gherasim
About changes in the mentality of the Bessarabian nobility during 1830-1840s
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Cristina Gherasim
Confirmation of the titles of nobility by Bessarabian nobles in the first half of the 19th century: The noble family of Frunzetti (Frunză)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.