We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.
These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.
The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.
The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."
The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.
Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.
Abstract: In this article based on the study of archival sources and monographs the author considers some aspects of the influence of the tsarist legislation on the changes in the legal status of the Bessarabian nobility. After the annexation of the territory between the Dniester and the Prut to the Russian Empire, at first the tsarist government maintained the social categories existing in Bessarabia, and the relationships were regulated by the laws and customs of the Principality of Moldavia. Subsequently, Bessarabia was incorporated into the political and socio-economic system of the empire. Thus, the use of the tsarist laws on the territory of the region has led to changes in the status of the Bessarabian nobility. Despite the fact that the Bessarabian nobility had the same rights and have been included in the Russian nobility keeping the former privileges, in reality they, especially the indigenous nobility, were limited in their rights. Chief administrative positions in Bessarabia were given to foreign nobles and officials or those members of the local nobility, who were loyal to the tsarist policy. All this has led to dissociation (due to the introduction of foreign representatives into the ranks of the local gentry) and humiliation (because the nobles had to constantly prove their social status - a rather complicated process due to the lack of supporting documents for those who had the Moldavian noble rank or possessed property) of this social category.
Cristina Gherasim
About changes in the mentality of the Bessarabian nobility during 1830-1840s
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Cristina Gherasim
Aspects of teaching children of the Bessarabian nobility within the educational system of the Russian Empire
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Valentin Tomuleț, Cristina Gherasim
Some considerations on factors that generated mentality shifts of the landlords in Bessarabia under tsarist domination (1812-1817)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Cristina Gherasim
L’identité sociale au milieu de la noblesse de la Bessarabie dans le XIX-ème siècle
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Cristina Gherasim
Confirmation of the titles of nobility by Bessarabian nobles in the first half of the 19th century: The noble family of Frunzetti (Frunză)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.