To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Bessarabian bourgeoisie in modern age (Classification, characteristics, evolution)
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
In the given article the author defines the bourgeoisie as a social category linked mainly to the urban economy, which has capital and power of decision in capitalist community. The author classifies Bessarabian bourgeoisie of the nineteenth century into four categories:
1. “Economic bourgeoisie” (commercial, usurious, industrial etc.) covers, in fact, those layers that are closely linked to economic activity: the large merchants (the first and second guild), moneylenders, owners of commercial and industrial enterprises etc., which differed from each other not so much in terms of origin and the place they occupy in society, but especially in terms of interests and level of wealth. This social group was formed after the introduction of guild reform in Bessarabia according to the decision of the Governing Senate of 26 September 1830. 2. The second category consisted of state officials. Promoting a national-colonial policy in Bessarabia, tsarism based not only on the small part of local nobility that it could draw to work in various state institutions, but also on foreign element, which consisted mainly of civilian and, especially, military Russian nobility. During the first half of the nineteenth century, when there was an institutional modernization, this layer, ignored by the aristocratic elite, was evolved into the bourgeoisie, and a small part of it was actively involved in economic activities. 3. A special category was formed of people engaged in the intellectual labour, which were representatives of a wide enough range of professions: teachers of different specialties, doctors, lawyers, attorneys, engineers, etc. Characterized by different levels of wages and, respectively, different levels of wealth, this category was also varied and, like the rest, differed only by intellectual training and professional qualification. 4. On the lowest level in the Bessarabian social hierarchy there was “the petty bourgeoisie” (the lower middle class), which brought together representatives of different professions - small traders (the third guild of merchants), artisans of various specialties, owners of grocery stores, inns, coffee shops, and restaurants, chemists, butchers, petty officers, etc. The rapid development of Bessarabia towards capitalism had essentially contributed to social instability of this layer, thus causing their passage up and down the social scale. An example of this is the layer of guild merchants, who were constantly moved from one guild to another and from this social category in the petty bourgeoisie.
Analysing the commercial bourgeoisie and petty bourgeoisie, the author concludes that the peripheral situation of Bessarabia in the economic and political system of the Russian Empire has determined clearly discriminatory attitude of central authorities towards the region, which was reflected in the restriction of the rights and opportunities for local residents, mostly Moldovans, through the attraction of foreign merchants and traders from the Russian provinces, providing them with various benefits. As a result, the lack of state unity and national independence, political domination and economic exploitation by the Russian Empire directly influenced the genesis of bourgeoisie of Bessarabia. As a result, the bourgeoisie of Bessarabia was established as cosmopolitan social structure consisted largely of alien elements, supported and protected by the imperial administration.
Valentin Tomuleț
The protests and the revindications of the Bessarabian people in the first decades after the annexation of the territories between the Prut and Dniester rivers to Russia (years 1812-1828)
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț, Victoria Bivol
Representatives of bourgeois elite in Bessarabia: Greek merchant Pantelei Sinadino (1830-1850)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Taxation of the mazili and ruptași social categories in Bessarabia under the Tsarist domination (1812-1847)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
The establishment and activity of Lancasterian schools in Bessarabia in the 1820s-1840s
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Literate mazili and ruptași in Bessarabia in the first half of the 19th century
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.