In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Taxation of the mazili and ruptași social categories in Bessarabia under the Tsarist domination (1812-1847)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
In the present study, without resorting to a broad historical analysis, we consider two categories of privileged population - the mazili and ruptași and identify the changes in their social status and the fiscal imposition under the Tsarist rule.
Analysis of unpublished archival documents allows us to conclude that mazili represented a social category and ruptași - a fiscal one, both of which were inherited by Bessarabia from the Principality of Moldavia For many years they were forced to make significant efforts to confirm the titles and tax and social status they had before the annexation of the region to the Russian Empire. Although mazili enjoyed certain privileges, imperial administration did not accepted them and did everything possible to suppress this social category, seeing them as a national bourgeois element (national rural bourgeoisie). Tsarism tried to promote the policy begun by Constantine Mavrocordatos, which aimed at limiting the number of privileged social groups, particularly those that did not come from the aristocracy, which, at that time, mazili and ruptași were part. These measures were in line with the Russian imperial policy of liquidation of local peculiarities and of social and administrative unification of the newly annexed province. Eventually the rights of mazili were limited; they were required to perform certain duties and pay taxes along with other categories. This becomes evident in the tax censuses, during which mazili and ruptași were required to present documents confirming their social and fiscal status. Despite this, the tsarist government used the services of mazili. Due to the special personal qualities - honesty, skills, knowledge, impeccable behavior and ability to cope with any situation, mazili were attracted to different services they were proud of, considering it their privilege. They enjoyed prestige among the local population, and in the case of riots they at the request of the authorities were able to eliminate them without bloodshed.
Archival documents show that Russian imperial administration has taken concrete steps to limit the rights and privileges of mazili and ruptași in Bessarabia, placing them at the lower levels of the hierarchy - first in the category of odnodvortsy (single homesteaders) and later - in the category of free peasants. As a result, some of them due to lack of documents or because of any violations committed by them were transferred to the category of peasants, while others collapsed and were included in the other categories, related with the peasantry. Nevertheless, mazili continued to retain their distinctive social and spiritual features, even after their transfer to the category of odnodvortsy in 1847.
Valentin Tomuleț, Alexandru Bordian
Priority directions in trade and customs policy of tsarism in Bessarabia in the first third of the 19th century
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Mazili and ruptași (and other social categories) in the statistics of the 1817 census
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Literate mazili and ruptași in Bessarabia in the first half of the 19th century
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Valentin Tomuleț, Victoria Bivol
Representatives of bourgeois elite in Bessarabia: Greek merchant Pantelei Sinadino (1830-1850)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț, Victoria Bivol
The elites of Bessarabian bourgeoisie: Armenian and Greek wholesale merchants (1812-1868)
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.