The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Bessarabian clergy actively provided moral and material support to the victims of war. It was created a clerical department to help the soldiers and their families. Each district elected a delegate to be part of a clerical group that would be subordinated to this department. The members if this group were sent to the front line if needed. The medical centers opened by the Bessarabian clergy treated wounded soldiers not only from Bessarabia, but also from the remote provinces of Russia and from Serbia. The clergy that was faithful to imperial authorities also helped to collect donations for the Russian army, which they regarded as Christ-loving. The departure of church choristers to the front line led to significant degradation of church music during that period.
Another important aspect is that the monasteries also supported charity activities initiated by the tsarist authorities. Thus, the money raised was sent to cover various needs of the front and monks were assigned to perform religious services. Some monasteries provided shelter for children whose parents have died or been wounded in battle. The February Revolution of 1917 had a significant effect on the activity of the Bessarabian clergy, whose members began to publish articles on the problems of Bessarabia. They offered options for a peaceful reorganization of state and church based on new principles of Orthodox Faith. However, the socialist ideas have gained many supporters among soldiers and the faithful who believed that a new society could be built through destruction and anarchy. This caused persecutions of the clergy and even assassinations. Some priests supported the national movement and the principles of freedom and democratization of the church. However, assessing the impact of the First World War to Bessarabia, it should be recognized that the clergy supported the imperial power and subordinated to political interests of Russia.
Silvia Scutaru
Clergy’s requests during theeparchial congresses of 1917
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Silvia Scutaru
The activity of the Bessarabian school of church choristers (1889-1918)
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.