To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Bessarabian clergy actively provided moral and material support to the victims of war. It was created a clerical department to help the soldiers and their families. Each district elected a delegate to be part of a clerical group that would be subordinated to this department. The members if this group were sent to the front line if needed. The medical centers opened by the Bessarabian clergy treated wounded soldiers not only from Bessarabia, but also from the remote provinces of Russia and from Serbia. The clergy that was faithful to imperial authorities also helped to collect donations for the Russian army, which they regarded as Christ-loving. The departure of church choristers to the front line led to significant degradation of church music during that period.
Another important aspect is that the monasteries also supported charity activities initiated by the tsarist authorities. Thus, the money raised was sent to cover various needs of the front and monks were assigned to perform religious services. Some monasteries provided shelter for children whose parents have died or been wounded in battle. The February Revolution of 1917 had a significant effect on the activity of the Bessarabian clergy, whose members began to publish articles on the problems of Bessarabia. They offered options for a peaceful reorganization of state and church based on new principles of Orthodox Faith. However, the socialist ideas have gained many supporters among soldiers and the faithful who believed that a new society could be built through destruction and anarchy. This caused persecutions of the clergy and even assassinations. Some priests supported the national movement and the principles of freedom and democratization of the church. However, assessing the impact of the First World War to Bessarabia, it should be recognized that the clergy supported the imperial power and subordinated to political interests of Russia.
Silvia Scutaru
The activity of the Bessarabian school of church choristers (1889-1918)
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Silvia Scutaru
Clergy’s requests during theeparchial congresses of 1917
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
