The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC).
The ceramic fragment with painted human and geometric representations constitutes about 50% of the upper part of an amphora, made of clay paste without impurities. It is burned in an oxidizing environment, with a reddish color in the section. The inner surface of the vessel is covered with a pink-whitish color layer, and the smoothed and polished exterior is covered with a yellowish-gray engobe start. The body of the amphora is spheroidal with four pyramidal cakes on the shoulder, and the neck is high frustoconical with a short outwardly turned lip. The dimensions of the bowl: lip diameter - 18 cm; maximum body diameter - 43-45 cm; neck height - 13 cm; height of exposed fragment - 43 cm; the estimated total height of the vessel is 55-60 cm. Thickness at the lip - 6-7 mm, at the neck - 9-11 mm, and at the body - 10-13 mm.
The outer surface of the amphora in a proportion of about 4/5, except for the lower part, is bicolorly decorated with black and brown paint, the brush being used as a tool, which can be felt from the specific application of the lines. Two brushes were most likely used. The ornament is divided into three horizontal registers that surround the vessel dividing the interior into metopes. The decoration is composed of lines arranged vertically, horizontally or obliquely forming geometric compositions of the net type.
The special significance of the amphora resides in the representation in the middle register of the painting of the stylized scene of a female ritual dance. The scene painted on the body of the amphora represents the image of a group made up of 9 female characters assisted by two dogs and 3 snakes. The female images are represented schematically, with the emphasis on long legs, mini-trapezoidal skirts, short stretched bodies, folded dancing hands and pointed heads.
Vessels with painted anthropomorphic representations are very rare, being around 140 images of this kind known so far in the entire area of spread of the Cucuteni-Tripoli culture.
Based on the analysis of the shape of the vessel, the specific decoration and the context of the discovery, it can be admitted that the amphora from Chirileni belongs to the cult of the Mother Woman, the Great Goddess worshiped by the Eneolithic populations.
Charitable activities of the Stroesku’s family in Brașov
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
In the eighties, the Bessarabian nobleman Mihail Stroesku's attempts to support the Romanian Bessarabian education were rejected by the Russian authorities, so his philanthropic activities was conducted in the Kingdom of Romania, especially in Transylvania.
"Association for Supporting Apprentices and Journeymen of Romanian Craftsmen of Brașov" was founded in 1869 by a group of Brașov intellectuals and merchants on the initiative of the priest Bartolomeu Baiulescu. The purpose of this organization was to help the apprentices and journeymen and to support craft activities in Brașov.
The customs war, which broke out between Romania and Austria-Hungary in mid-1886, had serious consequences for the economy of Transylvania. The economic disorders provoked the migration of a significant part of manufacturers and workshop owners from Transylvania outside the Carpathian arc that worsened the financial problems of the craftsmen association from Brașov.
On November 22, Mihail Stroesku and his wife Eliza donated the association 25,000 Austrian florins (50,000 lei). Over the years, the "Eliza and Mihail Stroescu Foundation" was one of the main sources of its funding. This money has been spent on manuals, materials, awards, scholarships, rent, material assistance, current expenditure etc.
Cristina Tănase
Participation of the inhabitants of Braşov in the Austro-Hungarian patriotic efforts. The action “Gold gab ich fur Eisen” (“I give gold for iron”)
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Cristina Tănase
Statutes and decisions on the concession on omnibuses and fiacres in the Brașov County
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Cristina Tănase
Mateiaș (Brașov County): the emergence of the monument to the heroes of the First World War
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Cristina Tănase
Military operations of the 2nd Mountain Division in the territory between the Prut and Bug (July 3 - August 17, 1941)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Cristina Tănase
Clock on the Tower of the Council House in Braşov: Pages of history
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC)...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.