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The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle. 
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services. 
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right. 
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord. 

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

Virtual Tour


Publications Journal „Tyragetia"   vol. IX [XXIV], nr. 2


Cloisonné enamels from the former collection Alexander Zwenigorodsky and a new book by Ljudmila Pekarska, Jewellery of Princely Kiev. The Kiev Hoards in the British Museum and the Metropolitan Museum of Art and Related Material
ISSN 1857-0240
E-ISSN 2537-6330

Cloisonné enamels from the former collection Alexander Zwenigorodsky and a new book by Ljudmila Pekarska, Jewellery of Princely Kiev. The Kiev Hoards in the British Museum and the Metropolitan Museum of Art and Related Material

Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015

Abstract

In 2011, a monograph long anticipated by art historians with an expertise in Old Russian and Byzantine art was published by Ljudmila Pekarska. The main subject of the monograph - the history of a hoard of jewellery found in Kiev in 1906, and as luck would have it is today divided between the British Museum and the Metropolitan Museum of Art.

The author, however, did not limit her study to the analysis of objects from this hoard. She used an extensive amount of comparative materials from collections in many Western, Ukrainian, and Russian museums. L. Pekarska focuses mainly on the cloisonné enamels, an impressive example of exquisite medieval luxury. Welcoming the publication of this book, and being interested in the research, as well as its author, I do not envy the hard work that it would take for a person to write a scholarly review on this publication. The book contains so many specific features, so many politicized statements, so many altered facts that an unprepared reader, and even a professional, will not always be able to understand these "sleights of hand". For this reason, I chose only three pages from the book of Ljudmila Pekarska that discuss a collection of cloisonné enamels of Alexandr Zvenigorodsky and its fate (now almost the entire collection is kept in the Metropolitan Museum of Art). I hope that my article will help the reader in understanding the nuances of L. Pekarska's book and, besides that, offers the reader more detailed information about the unique collection of Zvenigorodsky and the reasons it is now in Western museums. In this article, the author includes biographical facts about Alexander Zvenigorodsky; it shines a light on the history of Zvenigorodsky's ownership of the cloisonné enamels, and criminal origin of the collection taken from Georgian monasteries. Also included is information on the publication of the collection by its owner - the famous book issued in three languages in 200 copies each: in Russian, in German, and in French. The book has long since become a rare example of the highest quality of printing and refined luxury. A considerable attention is paid to the fate of the collection after the death of its owner; the reason it was secretly sold to John Pierpont Morgan; a negative role in this sale of the infamous collector Michail Botkin. A seemingly private matter about Zvenigorodsky's collection of enamels has raised numerous problems of ethical, methodological, and, in some degree, even cultural and political nature.

List of illustrations:
Photo 1. Cover of Ljudmila Pekarska's book. Photo 2. Alexander Zvenigorodsky.
Photo 3. Nikodim Kondakov.
Photo 4. Title page of N. Kondakov's book on Zvenigorodsky's collection.
Photo 5. Byzantine cloisonné medallions from the former collection of Alexander Zvenigorodsky, end of the 10th - early 12th century. The Metropolitan Museum of Art, New York.
Photo 6. Michail Botkin.
Photo 7. John Pierpont Morgan.

Всеволод Образцов, Юрий А. Пятницкий
Holy images on blades: unique swords from the State Hermitage Museum (preliminary publication)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Юрий А. Пятницкий
Coptic textile from Count Alexey Bobrinsky's collection in the State Hermitage: the history of one mistake
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Андрей Крупенко, Юрий А. Пятницкий
Restoration and attribution of The Virgin of Tenderness (a new acquisition of the Byzantine collection of the Hermitage Museum)
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Юрий А. Пятницкий
Old Russian art on the shores of Seine. Some notes on the "Holy Russia: Russian Art from the beginning to the times of Peter the Great" exhibition in the Louvre in 2010
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie



 

 

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#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." ...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC