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#Exhibit of the Month

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The Roman bronze situla comes from a collection of archaeological artifacts confiscated at customs and transferred to the holdings of the National Museum of History of Moldova in 2009. Its place of discovery remains unknown.

A situla (Latin for "bucket") is a metal vessel-usually made of bronze-shaped like a pail and equipped with two movable handles at the top, traditionally used for mixing wine with water. The handles are attached to the vessel via two decorated ears that are welded to the rim.

The body of the situla is truncated-conical in shape and features two decorative bands with small circular patterns formed by hammering, located just below the rim.

Its base is double-layered: the inner bottom is hemispherical and hammered, while the outer bottom is flat and lathe-made. The outer base is welded to the inner bottom, serving as the vessel's foot-support.

This object was crafted using a combination of casting, hammering, and partial lathe-finishing. Dimensions: Maximum height - 31.7 cm; Maximum diameter - 22.8 cm; Base diameter - 13.5 cm

Situlae of this type originated in the Roman Empire and were later adopted by various ancient peoples, including those from the northwestern Pontic region.


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Publications Journal „Tyragetia"   vol. VII [XXII], nr. 2


Holy images on blades: unique swords from the State Hermitage Museum (preliminary publication)
ISSN 1857-0240
E-ISSN 2537-6330

Holy images on blades: unique swords from the State Hermitage Museum (preliminary publication)

Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie

The focus of this article are interesting rarities from the collection of the State Hermitage Museum - swords of the 17th-18th centuries with inscriptions in Greek and Slavonic, with images of Christian saints inlaid in gold. The authors offer the general characteristics of 17 exemplars of this kind of arms which are divided into several groups according to the shape of the hilt. A brief overview of the relatively few publications on this subject includes articles by Vasilii Prokhorov (1877); data from the Index of the Medieval Department of the Imperial Hermitage published by Nikodim Kondakov (1891), a catalogue of Count Sergei Sheremetev's collection of arms compiled by Eduard Lenz (1895), and a monograph by E. Astvatsaturian on Turkish arms from the collection of the State Historical Museum (2002). The authors pay special attention to the description and analysis of two swords from the Hermit- age collection. One of them belonged to Count Michail Miloradovich, and was presented to him in 1807 from the city of Bucharest. The second sword came to the Hermitage after the Bolshevik Revolution from the Marble Palace, the residency of the Grand Dukes Konstantinovichi. Besides the traditional inscriptions and images of the Virgin with Child crowned by angels, the blade bears a unique image of Byzantine Emperor Nikephoros Phokas blessed by Jesus Christ with both hands. There are also two cartouches with quotations from Psalms in Greek. The extremely rich décor of this sword and the unique depiction of the Byzantine Emperor leave no doubt that they were made on a special order. The authors connect the sword to the Greek Project initiated by the Russian Empress Catherine the Great. The main idea of the project was a restoration of the Byzantine Empire with Constantinople-Istanbul as its capital, where Grand Duke Konstantin, Catherine the Great's grandchild, would be ascended to the throne.

This article is a preliminary publication of a project in process on compilation of a complete catalogue of all swords with Greek and Slavonic inscriptions and with images on Christian subjects from the collection of the State Hermit- age Museum.

List of illustrations:

Fig. 1. Sword and scabbard, Inv. № VO-5812.

Fig. 2. Sword VO-5812, detail of the hilt.

Fig. 3. Sword VO-5912, detail of the blade with the image of the Virgin and Child, the Greek inscription and the date 1445.

Fig. 4. Sword VO-5812, detail of the blade with the image of Dove - Holy Spirit, the Virgin and Child with angels and crown.

Fig. 5. Sword VO-5812, detail with arabesque on ricasso (side view).

Fig. 6. Sword VO-5812, detail of the blade with the four-pointed cross and traces of the  more oldest inlay. Fig. 7. Sword VO-5812, lithography by V.A. Prokhorov, 1877.

Fig. 8. Sword and scabbard, Inv. № VO-3239.

Fig. 9. Sword VO-3239, detail of the blade with Greek inscriptions.

Fig. 10. Sword VO-3239, detail of the blade with Greek inscription from Psalm 34. Fig. 11. Sword VO-3239, detail of inlay on the blade near the hilt.

Fig. 12. Sword VO-3239, detail of cartouche with Greek inscription from Psalm 44.

Fig. 13. Sword VO-3239, detail of second cartouche with Greek inscription from Psalm 44.

Fig. 14. Sword VO-3239, detail of the blade with an image of the Virgin and Child.

Fig. 15. Sword VO-3239, detail: the blade with an image of the Byzantine Emperor Nikephoros Phokas blessed by Jesus Christ.

Fig. 16. Sword VO-3239, detail: the blade with an image of the Byzantine Emperor Nikephoros Phokas.

Fig. 17. Sword VO-3239, detail: the blade with Greek inscription and date beneath an image of the Byzantine Emperor Nikephoros Phokas.

Юрий А. Пятницкий
Coptic textile from Count Alexey Bobrinsky's collection in the State Hermitage: the history of one mistake
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Юрий А. Пятницкий
Cloisonné enamels from the former collection Alexander Zwenigorodsky and a new book by Ljudmila Pekarska, Jewellery of Princely Kiev. The Kiev Hoards in the British Museum and the Metropolitan Museum of Art and Related Material
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Юрий А. Пятницкий
Old Russian art on the shores of Seine. Some notes on the "Holy Russia: Russian Art from the beginning to the times of Peter the Great" exhibition in the Louvre in 2010
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie



 

 

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Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
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#Exhibit of the Month

The Roman bronze situla comes from a collection of archaeological artifacts confiscated at customs and transferred to the holdings of the National Museum of History of Moldova in 2009. Its place of discovery remains unknown....

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC