In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Considerations regarding the catholic dioceses founded by the popes of Avignon outside the Carpathians: the bishopric of Milcova and the bishopric of Siret
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Between 1309 and 1377 the papacy moved its headquarters from Rome to Avignon. Nevertheless, the interest shown by the French pontiffs towards Eastern Europe did not diminish, but stayed the same. Considering the appreciable distance between the papal residence in the south of France and the outer part of the Carpathians, an engagement from the part of the pontiffs in this area was inconceivable without the support of the secular power. During their stay at Avignon, the French pontiffs created two dioceses outside the Carpathians: the bishopric of Milcovia, the successor of the Cumans' bishopric, and the bishopric of Siret, founded at the initiative of Lațcu, the voivode of Moldavia. As to the bishopric of Milcova, the initiative came from pope Joan XXII in the year 1332. Subsequently, the existence of this bishopric found itself in a close relation with the projects of political control of Louis I of Anjou, the king of Hungary, outside the Carpathians. Even if, practically, it was an "in partibus'' bishopric, the diocese of Milcovia had titulars all through the 14th century. In the case of the Catholic bishopric of Siret, the foundation of this ecclesiastic union (1370-1371) was made at the initiative of voivode Lațcu of Moldavia, whose desire was to ensure the recently gained independence of his state, against the claims of Hungary and Poland, addressing pope Urban V through two Franciscan monks. Lațcu demanded that Andrew, a Polish Franciscan, should be appointed bishop of Siret. The foundation of the bishopric of Siret was to guarantee the independence of Moldavia, assimilated to a "regnum'', granting its leader, Lațcu, an undisputed illegitimacy from the part of any other Catholic prince. In our opinion, these are elements that enable us to state that during the times of Lațcu Moldova was part St.Peter's Patrimony.
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
