To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
The citadel is situated 600-800 m east of Mereșeuca village, Mereșeuca commune, Ocnița district, on a high, isolated hill, on the right bank of the Driver river. The local inhabitants call this headland „Cetățuie.” On the west side, the hill has the aspect of a narrow isthmus, crossed transversally by a flattened earth rampart. The isthmus becomes wider to the east of the wall, forming an ascending slope. One isthmus slope had been scarped at around 100 m away from the wall. Starting with the scarp level a semi-circular wall appears headed towards the south and north-east of the hill. One of the wall extremities ends at the northern steep edge of the hill, while another was probably connected to the scarp. The internal defensive line, repeating the shape of the anterior one, lies at the distance of 40-50 m from the wall and forms a central circular platform with a diameter of 100 m. The fortified surface of the citadel is about 2 ha.
The site was discovered in 1949 by T.S. Passek. The research uncovered four Eneolithic horizons and layers belonging to cultures Černoles, Sântana de Mureș-Černjachov and to the old Russian culture. The wall and ditch from the older cultural deposits had been sectioned in 1984. The ditch intersected the cultural layers going down into the sterile soil to the depth of 3.3-3.5 m. The ditch has a width of 0.8-1.0 m at the bottom and up to 5 m in the upper part.
In the outer part of the wall, as well as in the ditch’s channel, under the black-earth layer, a clay layer was attested provoked by downward erosion from the top hill where it initially lay at the base of the wooden wall built on the top rampart. The wall was probably made of a hull of beams, supported by pillars arranged vertically in pairs. The wall thickness reached around 2 m. The inferior part of the hull, which formed the wall, was filed up with earth, and the upper part formed chambers called strelnițe. Living and household structures built of beams were found in the inferior part of the rampart. It had around 8 m width at the base and 3 m heigh and rose around 6 m above ground together with the wall.
The ceramic and amphorae material discovered during the investigations allows us to dates the citadel to the 12th- 13th centuries. It was deserted and burnt probably by order of Tatar-Mongols at the middle of the 13th century. The closest analogies for Mereșeuca-Cetățuie fortification can be found at Lencăuți (fortress) and at Lomacinți, in northern Bucovina.
It appears that the fortress from Mereșeuca represents the southernmost outpost, an observation citadel of Halici from the right bank of Dniester. We can assume, as a hypothesis, that this citadel corresponds with the town Kucelmin from older Russian chronicles.
List of illustrations:
Fig. 1. Mereșeuca-Cetățuie: 1 - placement of citadel Mereșeuca-Cetățue on the map of Republic of Moldova; 2 – visual plan of fortress (1 - excavations from 1980, 2 - section through the wall and ditch); 3 - placement of the fortress on the topographic map; 4 - fortress Mereșeuca-Cetățuie, view from west. Fig. 2. Mereșeuca-Cetățue. Plan and profile of section through the wall and defensive ditch: 1 - south-east profile; 2 - north-west profile; 3 - agglomeration of stones and remains of grinders, in plan; 4 - plan of section bottom. Fig. 3. Mereșeuca-Cetățuie: 1-4 - Cucuteni-Tripolie ceramics; 5-7 - pieces from Bronze Age. Fig. 4. Mereșeuca-Cetățuie: 1-11 - ceramics from the 12th-13th centuries. Fig. 5. Mereșeuca-Cetățuie: 1-5, 7, 9 - ceramics from the 12th-13th centuries; 6, 8 - amphorae fragments from the 12th-13th centuries.
Иван Власенко, Вячеслав М. Бикбаев
An medieval grave near the village Hîrtopul Mare
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Иван Власенко
Hallstatt cultural-chronological horizons of multilevel settlement Ivancea II
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică Chișinău, 2007
Иван Власенко
Multi-layered settlement Rudi XX (excavations in 1982)
Tyragetia, serie nouă, vol. XI [XXVI], nr. 1, Arheologie. Istorie Antică
Иван Власенко, Татьяна Щербакова
Ekaterinovka – single-layer settlement of the Sântana de Mureș-Chernyakhov culture
Tyragetia, serie nouă, vol. IX [XXIV], nr. 1, Arheologie. Istorie Antică Chișinău, 2015
Иван Власенко
Late residential compounds of the early medieval settlement Rudi
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.