The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet." Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.
The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."
The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.
This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.
Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.
The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
The citadel is situated 600-800 m east of Mereșeuca village, Mereșeuca commune, Ocnița district, on a high, isolated hill, on the right bank of the Driver river. The local inhabitants call this headland „Cetățuie.” On the west side, the hill has the aspect of a narrow isthmus, crossed transversally by a flattened earth rampart. The isthmus becomes wider to the east of the wall, forming an ascending slope. One isthmus slope had been scarped at around 100 m away from the wall. Starting with the scarp level a semi-circular wall appears headed towards the south and north-east of the hill. One of the wall extremities ends at the northern steep edge of the hill, while another was probably connected to the scarp. The internal defensive line, repeating the shape of the anterior one, lies at the distance of 40-50 m from the wall and forms a central circular platform with a diameter of 100 m. The fortified surface of the citadel is about 2 ha.
The site was discovered in 1949 by T.S. Passek. The research uncovered four Eneolithic horizons and layers belonging to cultures Černoles, Sântana de Mureș-Černjachov and to the old Russian culture. The wall and ditch from the older cultural deposits had been sectioned in 1984. The ditch intersected the cultural layers going down into the sterile soil to the depth of 3.3-3.5 m. The ditch has a width of 0.8-1.0 m at the bottom and up to 5 m in the upper part.
In the outer part of the wall, as well as in the ditch’s channel, under the black-earth layer, a clay layer was attested provoked by downward erosion from the top hill where it initially lay at the base of the wooden wall built on the top rampart. The wall was probably made of a hull of beams, supported by pillars arranged vertically in pairs. The wall thickness reached around 2 m. The inferior part of the hull, which formed the wall, was filed up with earth, and the upper part formed chambers called strelnițe. Living and household structures built of beams were found in the inferior part of the rampart. It had around 8 m width at the base and 3 m heigh and rose around 6 m above ground together with the wall.
The ceramic and amphorae material discovered during the investigations allows us to dates the citadel to the 12th- 13th centuries. It was deserted and burnt probably by order of Tatar-Mongols at the middle of the 13th century. The closest analogies for Mereșeuca-Cetățuie fortification can be found at Lencăuți (fortress) and at Lomacinți, in northern Bucovina.
It appears that the fortress from Mereșeuca represents the southernmost outpost, an observation citadel of Halici from the right bank of Dniester. We can assume, as a hypothesis, that this citadel corresponds with the town Kucelmin from older Russian chronicles.
List of illustrations:
Fig. 1. Mereșeuca-Cetățuie: 1 - placement of citadel Mereșeuca-Cetățue on the map of Republic of Moldova; 2 – visual plan of fortress (1 - excavations from 1980, 2 - section through the wall and ditch); 3 - placement of the fortress on the topographic map; 4 - fortress Mereșeuca-Cetățuie, view from west. Fig. 2. Mereșeuca-Cetățue. Plan and profile of section through the wall and defensive ditch: 1 - south-east profile; 2 - north-west profile; 3 - agglomeration of stones and remains of grinders, in plan; 4 - plan of section bottom. Fig. 3. Mereșeuca-Cetățuie: 1-4 - Cucuteni-Tripolie ceramics; 5-7 - pieces from Bronze Age. Fig. 4. Mereșeuca-Cetățuie: 1-11 - ceramics from the 12th-13th centuries. Fig. 5. Mereșeuca-Cetățuie: 1-5, 7, 9 - ceramics from the 12th-13th centuries; 6, 8 - amphorae fragments from the 12th-13th centuries.
Alexandru Levinschi, Ivan Vlasenco
The Getae burial with cremation at the medieval settlement of Poiana I
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
Иван Власенко
The results of archaeological exploration in central and northern regions of the Republic of Moldova
Tyragetia, serie nouă, vol. VI [XXI], nr. 1, Arheologie. Istorie Antică
Иван Власенко, Татьяна Щербакова
Ekaterinovka – single-layer settlement of the Sântana de Mureș-Chernyakhov culture
Tyragetia, serie nouă, vol. IX [XXIV], nr. 1, Arheologie. Istorie Antică Chișinău, 2015
Иван Власенко
Late residential compounds of the early medieval settlement Rudi
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Иван Власенко, Вячеслав М. Бикбаев
An medieval grave near the village Hîrtopul Mare
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.