We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.
These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.
The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.
The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."
The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.
Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.
Die griechische Amphoren in der Poienești-Lucașeuca-Kultur
Tyragetia, serie nouă, vol. VI [XXI], nr. 1, Arheologie. Istorie Antică
In dem Gebiet der Poienești-Lucașeuca-Kultur sind hellenistiche Amphoren die wichtigsten lmportfunde. In diesem Raum wurden hellenistiche Importfunde in 35 Siedlungen gefunden. In den Siedlungen, welche durch systematische Ausgrabungen studiert wurden, sind griechische Amphoren mit circa 5% bei der Keramik vertreten. Die hellenistiche Produktion tritt in diesem Gebiet ab dem ersten Viertel des 2. Jhr.v. Chr.auf. Die meisten Amphoren datieren aber in das zweiten Viertel dieses Jahrhunderts.
Vasile Iarmulschi
„Geten“, „Daker“, „Bastarnen“ und „Skordisken“: einige Bemerkungen zur Siedlung der jüngeren vorrömischen Eisenzeit von Roşiori-Dulceşti
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 1, Arheologie. Istorie Antică
Octavian Munteanu, Vasile Iarmulschi
Pilot excavations at Horodca Mică fortification
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică Chișinău, 2007
Vasile Iarmulschi
J. Brandt, B. Rauchfuß (Herausgeber), Das Jastorf-Konzept und die vorrömische Eisenzeit im nördlichen Mitteleuropa. Beiträge der Internationalen Tagung zum einhundertjährigen der Veröffetlichung der „Ältesten Urnenfriedhöfe bei Uelzen und Lüneburg" d
Tyragetia, serie nouă, vol. IX [XXIV], nr. 1, Arheologie. Istorie Antică
Vasile Iarmulschi
Michał Grygiel, Chronologia przemian kultorowych w dobie przełomu starzego i młodzego okresu przedrzymskiego na Niżu Polskim. Łódź: Fundacja Badań Archeologicznych Imienia Profesora Konrada Jażdżewskiego, 2018, 822 p., ISBN: 978-83-948140-2-1
Tyragetia, serie nouă, vol. XV [XXX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2021
Octavian Munteanu, Vasile Iarmulschi, Veronica Perju, Livia Ermurachi
The first building-phase of the fortification at Horodca Mică
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.