To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Diplomatic efforts on the Bessarabian question during 1914-1916
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Abstract
For a century since the beginning of the First World War the attention of Romanian and foreign historians was focused on the issues related to the period of neutrality of Romania, the signing of the Treaty of Bucharest by the second Crown Council (14/27 August 1916), and other issues related to the major events of that war. However, it is particularly important to undertake a re-inventorying of the initial sources and to understand how the negotiations on the issue of Bessarabia were conducted from the perspective of Russian and the Central Powers diplomacies in 1914-1916. The importance of research is increased by the fact that at the time the negotiations were held this issue wasn't a reference point for the Romanian diplomacy.
The problem of Bessarabia of 1914-1916 remains on the periphery of historical research. The paradox lies in the fact that there are no documents (not found), which could reveal the position of the Romanian government at this stage of the "Great War" (1914-1916) on the territorial issue of Bessarabia, annexed by Russia in 1812, as well as any requests or claims made by the Romanian government regarding the Romanians in Bessarabia, especially consid- ering the total lack of schools teaching in Romanian.
Maria Danilov
Dinu Poștarencu, Destinul românilor basarabeni sub dominația țaristă, Chișinău: CEP USM, 2012, 546 p. ISBN 978-9975-71-322-1
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Maria Danilov
The Biblical movement in Bessarabia. Imperial context and local specifics
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Maria Danilov
Ştefan Plugaru, Teodor Candu, Episcopia Hușilor și Basarabia (1598-1949). Editura PIM, Iași, 2009, 360 p.
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Maria Danilov
Reference points in the historiography of the Noul Neamț Monastery. Issues and interpretations
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Maria Danilov
Pedagogical literature of Bessarabia: editions, impressions and imposed models (1814-1918)
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.