The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
Diplomatic efforts on the Bessarabian question during 1914-1916
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Abstract
For a century since the beginning of the First World War the attention of Romanian and foreign historians was focused on the issues related to the period of neutrality of Romania, the signing of the Treaty of Bucharest by the second Crown Council (14/27 August 1916), and other issues related to the major events of that war. However, it is particularly important to undertake a re-inventorying of the initial sources and to understand how the negotiations on the issue of Bessarabia were conducted from the perspective of Russian and the Central Powers diplomacies in 1914-1916. The importance of research is increased by the fact that at the time the negotiations were held this issue wasn't a reference point for the Romanian diplomacy.
The problem of Bessarabia of 1914-1916 remains on the periphery of historical research. The paradox lies in the fact that there are no documents (not found), which could reveal the position of the Romanian government at this stage of the "Great War" (1914-1916) on the territorial issue of Bessarabia, annexed by Russia in 1812, as well as any requests or claims made by the Romanian government regarding the Romanians in Bessarabia, especially consid- ering the total lack of schools teaching in Romanian.
Maria Danilov
Ion Ţurcanu, Bessarabiana. Teritoriul dintre Prut și Nistru în câteva ipostaze istorice și istoriografice, Editura: Cartdidact, Chișinău, 2012, 344 p. ISBN 978-9975-4337-0-9
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Maria Danilov
Reference points in the historiography of the Noul Neamț Monastery. Issues and interpretations
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Maria Danilov
The Bessarabian manuscript of the Anthim’s sermons
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Maria Danilov
Ion Constantin, Ion Negrei, Gheorghe Negru, Ioan Pelivan, părintele mișcării naționale din Basarabia, Editura: Biblioteca Bucureștilor, București, 2011, 402 p. ISBN 978-606-8337-04-3
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Maria Danilov
Kаталог архивного фонда Русского Свято-Пантелеимонова монастыря на Афоне», том седьмой, часть 4. Составитель Ермолай (Чежия), Святая Гора Афон/ Издаельство «Голос Пресс», Москва, 2015 г. 445 стр. ISBN 978-5-7117-0734-9
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie
The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.